25 years ago today, Zamuse released Tetsuwan Atom (AKA Astro Boy AKA Mighty Atom) on the Super Famicom. While the game itself is a mere footnote in the annals of SNES lore, there’s no denying the immense popularity and impact of the source material. Today we celebrate the titular science fiction superhero by looking at his one and only Super Famicom game.
A LONG AND STORIED HISTORY
Created by Osamu Tezuka, Astro Boy began as a manga series in 1952. Astro Boy is even older than another iconic Japanese legend: Godzilla. It is the 10th best selling manga series of all time, having sold over 100 million copies.
On a side note, Nicalis just announced the 20th and final character for their upcoming puzzle game, Crystal Crisis. It is none other than Kawase from the super quirky Super Famicom cult hit, Umihara Kawase.
I can’t wait to play both Crystal Crisis and Umihara Kawase Fresh on my Switch this spring. Funny that both releases will be just two days apart. So many good games and not nearly enough time!
BACK TO TETSUWAN ATOM…
*cue Movie Trailer Voice Guy*
In a time of hostility and turmoil, only one hero has the courage…
… and the will of a nation’s indomitable spirit…
Based off the classic manga and anime series by Osamu Tezuka, this is an action game featuring 8 levels. Some are straight platforming romps while others have you taking to the skies. Let’s check out the first 5 stages.
Typical easy introductory level. His movement is a bit stiff and his punch lacks range so there may be an adjustment period.
Beware of giant boulders! The first boss is a piece of cake. Use the Air Dash to quickly defeat it.
Unspeakable horrors lie inside this fright-filled haunted house. But judging by the terrible lightning outside, you just MIGHT be safer inside…
Perhaps I spoke too soon! Crawl in that little space there so that the chained ball will sail safely over your head.
Luckily, you’re armed with super strength. And staying true to form, your bright eye lamps are put to use whenever in the dark. This spirit boss requires several Air Dashes before submitting to the foul night.
Showing off his flight powers, this stage curves around. Kill everything on the first floor. Don’t bother punching here as the Air Dash proves to be most effective. Once you kill everything, repeat this process on the second floor. The third floor is where you’ll face the boss. His second form is a tough little cookie!
Despite being an android, Astro Boy can brave the waters with no electrical issues. The spike sections are tricky. Occasionally, the water current flows in the other direction and the force is incredibly strong. The school of fish zooming by is a lovely visual effect when these tides occur.
Relying on your Air Dashes much? Well this stage disables that ability so you must rely instead on your swimming and flying prowess to help see you through. The boss of this level is one bad mutha! Watch out for its long limb and electric bolts. Save that energy tank power-up at the bottom there until you’re down to your last heart.
LEVEL 5 (AND BEYOND)
Platforming rule #11 dictates that there must be some kind of auto-scrolling stage. Many hazards attempt to put you down for the count. Later levels incorporate the Super Nintendo’s Mode 7 special effects.
You begin with 3 hearts. Along the way extra hearts can be gained. Each heart accounts for two enemy attacks. Health refills and 1-UP’s are also scattered throughout
The default controls are awkward (B = jump, A = punch, X = charges the flight meter). Thankfully, it’s adjustable
The flight meter must be charged before you can fly, and during flight slowly decreases. Pressing A during flight executes the powerful Air Dash. This attack grants you temporary invulnerability. Press A during an Air Dash to cease abruptly. Otherwise you’ll zip across until your meter is fully depleted
Astro Boy has been around for nearly 70 years now. He’s often considered as sort of the Mickey Mouse or Super Man of Japan — that’s how big and influential he has been in the anime and manga fandom. His place in pop culture history has been cemented with a long and storied legacy… one that continues even to this day. Tetsuwan Atom on the Super Famicom is a decent game, if not leaning toward average. It’s nothing special, nor anything you should actively seek out. But for huge fans of Mighty Atom, it might be worth a look if nothing else than morbid curiosity. It’s certainly playable, but it’s nowhere near essential. At any rate, happy 25 years to the Super Famicom game. You may be largely forgotten, but you’re honored on this milestone day nonetheless.
Another in a long line of Japanese anime/manga turned Super Famicom video game adaptation, GeGeGe no Kitarō is one of the strangest SNES games you could ever encounter. It’s a side-scrolling shoot ‘em up platformer. Originally known as Kitarō of the Graveyard, the manga series made its debut in 1960, with an anime series following in 1968. The focus is on the last survivor of the Ghost Tribe, Kitarō, as he faces off with various ghouls and goblins of Japanese mythology. Created by Shigeru Mizuki, GeGeGe no Kitarō has a long and storied history spanning five decades, over 400 anime episodes and even two live action movie adaptations.
Meet Medama-oyaji, translated literally as Eyeball Father. ‘Nuff said.
THE STORY GOES…
Kitarō has the ability to fire bullets from his hair. Of course, to make it even more bizarre, who does the firing but none other than his Eyeball Father! Unfortunately, bullets don’t travel the full length of the screen. Be prepared to meet many unusual abominations along your journey.
Kitarō has a shield to block projectiles with as well as three special weapons he can call upon. However, these special skills can only be used once you’ve killed a ghost creature and captured its soul. The more souls swiped, the more special moves you rack up.
One special move is a cane like whip that is short and rather useless. Another is a sandal-based attack that goes across the bottom of the screen and back. The third is the BFG of the game. Multiple electric blasts are emitted from Kitarō’s body. It’s best saved for the bosses thanks to the high damage it inflicts.
There are 19 levels, which may sound like a lot until you factor in just how insanely short each stage is. Deal with a few regular bad guys (some can be rather tough) and then it’s off to tackle the guardian boss. Some levels have as little as two (!) enemies before the boss fight. What the hell! I’ve never played a game as odd as this; the construction of the levels is a little baffling to say the least.
Some bosses include a witch with the power to change you into small random objects, a vampire in the form of a giant bat accompanied by a legion of bats and what’s a horror themed video game without Frankenstein represented in some form or fashion?
Also boss is a gigantic dragon who has 10 heads, but you face only one at a time. The dragon dwells in a dark cave set against a waterfall which makes for a lovely visual.
Don’t let the game’s Saturday morning cartoon look fool ya — even though there’s no blood anywhere to be found, GeGeGe no Kitarō has some unexpectedly vicious moments. One boss splits in half after being slain. Another one uses her razor-sharp claws to impale an innocent bystander through the heart! That definitely took me by surprise.
It’s a shame then how unfair the game can be at times. Certain levels have these tiny ass platforms… and if that weren’t annoying enough, spirits hound your ass like white on rice. As you can imagine, thanks to the ridiculously small ledges, you’ll likely fall to your death if touched. Also, you’ll make leaps of faith where you can’t even see the platform on the right until you jump. Only then does the screen scroll forward. In a game already as difficult as this one is, that’s just plain wrong.
On the upside, the monsters are gruesome and highly memorable. The boss from the first level for instance is something you might see in Hayao Miyazaki’s work (Spirited Away). The graphics are excellent and invoke the feeling of watching Saturday morning cartoons. And the music has a nice oriental flare and gets rather creepy from time to time.
Another positive aspect is that it has a pretty cool 2-player mode. The second player controls a character who has a fireball similar to Sagat’s that travels the full length of the screen. With Kitarō blocking and the second player spamming fireballs, the game takes on new life. There are pictures and some Japanese text to advance the story after each level is beaten.
“Chip? Monterey? Gadget? Zipper?!”
“Hey bud! Wrong tree house, wrong show!”
This very first villain requires several hits to kill and zips around like a mad flea.
Then this lady appears from behind the tree. Don’t get seduced…
Hey he looks pretty friendly. Let’s chat him up. What could go wrong?
“Hey buddy! Yeah, you over there. You want a breath mint? I got grape — “
WHAT THE CRITICS SAID
Not surprisingly, GameFan gave this game some high marks while Super Play wasn’t as generous. GameFan gave it scores of 78, 79, 88 and 93%. Super Play rated it 61%.
I lean more toward Super Play than GameFan when it comes to this game. I wanted to like GeGeGe no Kitarō a lot — it’s quirky, macabre and downright deliciously devilish. Perfect to play during the Halloween season. But the difficulty and the unnecessary cheapness of the game really hurts it. It’s much more tolerable and enjoyable, however, when playing with a buddy. You’re not missing much if you skip this one, but it’s a decent add to your horror gaming collection if you so desire.
Shōnen Ashibe is yet another Japanese comic turned TV series turned Super Famicom exclusive. Masterminded by Morishita Yumi, the comic was published in Weekly Young Jump from 1988 to 1994. It became a TV series in 1991 and the Super Famicom game was released just days before Christmas of 1992. The story centers around Ashibe, a 1st grade boy, and his wacky pet harbor seal, Goma-chan. Yup, that’s about as Japanese as Japanese gets. And only the Japanese, eh? Nonetheless, Shōnen Ashibe is unabashedly adorable and full of sunshine and rainbows.
Shōnen Ashibe is a cute platformer where you guide Goma-chan through many levels featuring classic themes such as forest, cave, haunted house, etc. In a manner befitting of the source material, Goma-chan can’t hurt enemies. Jumping over them is his only defense. Enemies range from humans (little brat boys and girls) to animals (bats, polar and teddy bears to name a few).
Your goal is to locate 8 items in each level. The item is connected to the level theme (i.e. stars for ice world, squids for water, etc.)
Once 8 are collected, head for the exit. If hit, one apple (or whatever it may be) squirts away, waiting to be reclaimed (not unlike Sonic the Hedgehog). The seal also whimpers “Eeeek!” The only way to lose is by being squeezed into submission by one of the bratty kids or if the timer reaches 0. The animals can’t kill you even if you have 0 items when they touch you. This was aimed at small children, obviously.
Some items are hidden while others are out in the wide open. You can smash walls with your head to potentially reveal hidden items. There are only two buttons: one makes Goma-chan jump and the other makes him perform a head butt. The gameplay is very basic — it was geared toward younger children — but it’s done in a respectable manner, all things considered.
There are some cool set pieces, like this giant hippopotamus machine. Releasing basketballs from its mouth, your task is to head butt them back into the hippo’s mouth. Doing this is much harder than it looks, especially as the timer runs down and the pressure mounts. Each good basket grants you an apple. The hippo machine holds 4 apples; the other 4 are scattered throughout the level.
Pick your level from this overhead map. Backtrack if you wish. Along the way some folks provide information, others will share a 16 character password and some even challenge you to mini games. The boy is an unplayable character, and that’s just as fine. Who wants to be a little 1st grader when you can be a cuddly seal?
Shōnen Ashibe has some nice details but nothing we haven’t seen before. Reappearing blocks, moving platforms and so forth. One really nice detail is the haunted house theme where you can see lightning flash outside the windows.
There’s definitely a me too feeling throughout the game but hey, if you can’t get enough of these games you’ll be right at home. Controlling a seal has its advantages, too. For example, Goma-chan can cling on edges which is quite cool.
My favorite theme is the ice world. The ice levels are extremely slippery, more so than most other platformers I can recall. The poor fella just slides around like a mofo as soon as you pick up any sort of momentum.
It sure did but DoReMi Fantasy also came out exactly 3 years and 3 months later (December 22, 1992 —> March 22, 1996). One has to account for such a huge technological gap
WHAT THE CRITICS SAID
Super Play, who erroneously referred to it as Syo the Seal, gave Shōnen Ashibe a very respectable 79% rating. It remains a fairly obscure game to this day, but those who have played it have shared similar sentiments. It’s certainly not bad and has its moments here and there.
Not shabby — surprisingly somewhat solid even — yet nothing worth writing home about. The graphics are nice; they’re simple yet colorful and charming in that Japanese sort of way. The music isn’t bad though it gets sugary sweet in spots to the point it can quickly become a bit annoying. All in all, Shōnen Ashibe is a great choice for kids. Older players probably won’t dig it as much, but you might find yourself a bit surprised at how well it plays if given the chance.
Miracle Girls is based on the Japanese manga by Nami Akimoto, which made its debut on July 6, 1991. It was later translated into a 51 episode anime series from January 8 to December 24, 1993. Along the way, there was even a video game adaptation, made exclusively for the Super Famicom.
Select either Tomomi and Mikage Matsunaga (twin girls with supernatural powers) and traverse platforming stages with mini games thrown in for good measure. You begin with 3 hearts and up to 5 can be stored by collecting fruit. The levels are so colorful you just may go blind.
Miracle Girls is a very simple game. There are only 2 buttons at play: jumping and throwing candy. As you might have deduced from the visuals and source material, this is very kid friendly. Instead of killing enemies, you throw candy as bait, which then allows you to safely evade bad guys who are busy getting diabetes. They chomp for roughly 5 seconds and can’t harm you in this altered state. Otherwise, touching them deducts a heart.
While they’re busy chewing, you can stand on their heads to collect otherwise unreachable items and power-ups.
There is a dreamlike atmosphere to Miracle Girls that sort of hearkens one back to the days of Capcom’s Little Nemo: The Dream Master.
Besides the bright colorful graphics, one thing that stood out was the aid of your twin. She’ll pop up from time to time to provide some helpful tips.
Your twin sister will help guide you through perilous sections. Her speech is in Japanese but thankfully there’s only two voices and you’ll quickly be able to differentiate the two. One indicates orange while the other denotes white. Before long you’ll learn two Japanese words! Whichever color she yaps is the flower color you want to hop on. The other will drop, sending you to an early grave if you’re unlucky enough to be standing on it.
There are also mini-games scattered throughout, as well as a mini-game mode on its own and a 2-player mini-game mode. After the first level you play water tag with a bumblebee. The overhead action looks somewhat similar to Super Bomberman. My advice is to hit him ONCE and then RUN LIKE HELL. After firing your water gun, you’ll need to recharge before shooting again. Thankfully, you’re not left completely vulnerable as there’s an umbrella cover defense that lasts for half a second. Use it wisely!
Bubbles begin to roam the field halfway through. If contact with said bubbles is made, that person will lose 1 point off their score (whether human or computer controlled). It helps to keep players honest by limiting one’s ability to “babysit” and wait things out. Whoever has the most points at the end wins.
Miracle Girls isn’t too shabby; it’s certainly playable if not enjoyable. However, it may be way too cute for its own good. I can see how the source material may instantly remove it from playing contention for certain gaming connoisseurs. However, if you can look past its extremely cute exterior, there lies a decent platforming game underneath. Just don’t expect anything too fancy or mind blowing and chances are you’ll have a decent time with this one.
Today (January 1, 2019) marks 20 years since Nintendo published a Super Famicom game by the name of Power Lode Runner. It was released only in Japan as a “Nintendo Power” cartridge, where players could download various games on said accessory. Thus, you won’t find an official cartridge of Power Lode Runner on the internet. Power Lode Runner is an update on the classic Lode Runner formula.
Developed in 1983 by Douglas E. Smith, Lode Runner went on to become a smash success. Released in countless versions and on way too many platforms to name, Lode Runner is a classic action puzzle game with a simple premise that grows increasingly complex. Therein lies its brilliance!
*CUE MOVIE TRAILER VOICE GUY*
[Here we go again… *whips out big check* -Ed.]
IT IS AN ISLAND SATE WITH DANGER AND TRAPS…
ER… THAT’S PRETTY MUCH ALL I GOT THIS WEEK.
*loud rumbling in the background, couple F-bombs and gunshots later*
Ahem, well I guess we won’t be hearing from Movie Trailer Voice Guy again. At any rate, Power Lode Runner is a curiosity and an oddity indeed. Released on New Year’s Day 1999 (happy 20th anniversary), this version of Lode Runner is a bit more modernized though it plays much the same as ones before it. “B” digs a hole in the ground to your left while “A” digs a hole to your right. Trap a bad guy and safely walk over their head. Collect the items necessary to unlock the next level. Control a blue rabbit-like animal, named Muguru-kun, and go through all manner of themes. There are 3 different worlds you can select from the very beginning, with themes changing every 5 levels. Let’s take a look at some of the worlds.
I love the art style here. Muguru-kun is adorable and has a unique look that screams “leading mascot potential.” Kinda makes me long for a platformer starring him!
To your bottom left is the map (which can be switched off) and to your bottom right is the item count (in yellow) required before being able to leave that stage. Touch the logs encased in the bubble there, leaving you with 3 left to collect.
I appreciate games with sensible mechanics which allow the player to be efficient. There’s no need to climb down a tree, not when you can slide off at a moment’s notice. Grab your second item. 2 down, 2 to go!
Those are the BAD guys?! Why yes. In this theme, those rather innocent looking monkeys are the source of danger. Each theme, which alters every 5 levels, is home to its own unique enemies.
Applying some good ol’ Lode Runner know how will make quick work of them.
You’ll spot a giant teddy bear head throughout each level. That marks the stage’s exit point. After collecting all the items needed, stand by the giant teddy bear face and it’ll swallow you whole, taking you to the next stage. Cute, yet slightly disturbing. Let’s look at some other levels from this first world.
Spotting Teddy does squat if you haven’t collected all of the items necessary. In such cases, it’s time to backtrack to find those missing pieces.
Bad guys can throw various objects at you. You’re momentarily stunned if hit, but thankfully it doesn’t mean automatic death.
Evading enemies left and right, weaving through them and going from point A to point B is quite satisfying. You can really get in the zone and develop a great rhythm that makes Power Lode Runner a really fun game to play.
It does, doesn’t it? Makes one yearn for an actual platformer game starring the ever lovable Muguru-kun. There’s a sense of adventure and stealth that gets the ol’ heart pumping.
Power Lode Runner is just a simple and enjoyable action puzzle affair. It celebrates 20 years today, and although you can’t get it officially on cartridge, there are of course various ways to still play it. And that I recommend you do, especially if these old school action puzzle games appeal to you. And if you like this game, I also suggest checking out another 1999 Super Famicom hit in the form of Power Soukoban (another modern spin on a classic formula). I slightly prefer Power Lode Runner over Lode Runner Twin. Power Lode Runner has Lode Runner Twin beat on visuals, sound and gameplay. The level design and enemy roster is also better as it oozes with more creativity and charm. Of course, you can’t go wrong with either.
PS- Happy 2019 to everyone out there! Speaking of anniversaries, can you believe RVGFanatic will turn 12 years old in less than a week from now? Insanity. Here’s to more SNES goodness in 2019
Lode Runner was first developed in 1983 by Douglas E. Smith. It was released on many platforms, such as the Apple II and Commodore 64. More than a decade later, the Super Famicom received its own variation in the form of Lode Runner Twin.
*CUE MOVIE TRAILER VOICE GUY*
WHERE LIVES WILL CHANGE AND A NATION WILL CRY… or something.
*End Movie Trailer Voice Guy*
[Wait a second, how much does he cost us anyway? -Ed.]
Lode Runner, to some of us retro gamers, is like an old trusty friend. You may not call this friend every week or even every month. But whenever you do, you pick up right where you left off. Thanks to T&E Soft, Super Nintendo players have a version to call their own. And while the mechanics are similar to classic formula, the look and atmosphere is distinctly different.
HEY THAT’S NOT JACK PERIL!
Indeed it’s not. Say bye to Jack Peril (from Lode Runner Returns) and hello to Justy and Liberty, two chaps that look like they stepped right out of an anime. Lode Runner Twin has a story mode (complete with password), free play and a couple 2 player split screen modes.
Collect all the candy wrappers. Only then will a ladder magically appear to whisk you to the next level.
Bad guys quickly attempt to gang up on you, but you can cave in floors where applicable and walk safely over their head(s).
Gone are the cannibalistic monks from previous Lode Runner games. In their place are trident wielding little imps. The game has a very cute look.
Our hero gracefully glides his way to safety, leaving the devilish lackeys in the dust.
There’s something very satisfying about gliding through the ropes.
You might have gotten rid of that one, but notice his buddies quickly gaining ground. A magic sound effect rings out after you’ve collected the last piece of candy. A ladder appears, which will take you to the next level. Of course, the bad guys will give chase to the very bitter end.
As soon as you land, make your way toward the ladder and slide across the rope. You’re home free! It’s easy but moments like this make the game fun to play and satisfying.
I love retro games. It’s the spirit of the age you know, the zeitgeist — looking forwards by looking back. Or something like that. Heck, maybe I’m just an old codger. I remember when games were rationed, you know. But in all seriousness, I enjoyed Lode Runner Twin for what it was. If you can overlook the annoying music, what you have here is a nice variation of a classic game. If you like this, be sure to check out Power Lode Runner too. And as a final fun aside, Super Play ran a review for Lode Runner Twin back in the ’90s. They rated it 55%, which I feel is a pretty harsh rating. It’s not the best game ever, but it’s certainly fun and has its moments.
Premiering on April 3, 1971, Kamen Rider (translated as Masked Rider) was a smash hit TV show in Japan. An insect-like superhero who rides on a motorcycle and beats up bad guys was a winning recipe. Over 20 years later, Kamen Rider was released only on the Super Famicom where you clean up the streets of early ’70s Japan in this fun and cheesy beat ‘em up.
As you make your way through the levels, the boss’ health meter at the bottom slowly increases. So don’t mess around and beat up the lackeys as fast as you can.
The garish blokes are tougher than their less colorful brethren.
Enter the abandoned warehouse. Hmmm, it’s awfully quiet in here. TOO QUIET…
PEARL HARBOR! But even their nefarious schemes are no match for your fleet-footed prowess. Use the pit to send their sorry asses to an early grave.
In classic beat ‘em up fashion, the boss is joined by a legion of low tier lackeys.
The bosses even resemble their real life cheesy rubber suits! Nice. When things get hot and heavy, press “X” to become the mighty Kamen Rider.
Kamen Rider is a superior fighter and he has a separate health bar as well.
Of course, being the Super Nintendo/Famicom, Mode 7 madness ensues.
A cutscene depicting the demise of the assailant is shown to reward your successful effort.
This stage is home to waste dumps and the like, lending the game a gloomy rundown atmosphere. It really places you in early ’70s Japan. In fact, it somehow reminds me a lot of Godzilla vs. Hedorah (AKA The Smog Monster), which coincidentally enough also came out in 1971. There is a very bleak feel to that film and to this particular level. Battle your way through the outskirts of town before culminating in a rooftop tangle.
Bad guys come out of the woodwork from the staircase. Somewhere in the background a part of me can feel Godzilla and Hedorah battling it out
Similar to the legendary GOLDEN AXE series, gaping holes can be used to your advantage.
This amusement park is anything but! At least it provides plenty of cool set pieces though, like this roller coaster track.
More levels await beyond this. Play the game to discover the rest on your own.
Temptations to modernize this old franchise wouldn’t have been shocking, but Sun L. (makers of Mega Man Soccer) wisely and respectfully opted for an authentic early 70’s Japan setting. It’s nice to see a game remain so faithful to its source material. The setting really grew on me as I played the game. It’s depressing, gloomy and there’s just something so desolated about the whole thing that beckons for a superhero to save the day…
What began as lukewarm impressions quickly developed into something of an affection, even if said affection veers toward the guilty pleasure plane. The levels are divided into segments and a solid pace is maintained throughout. Best of all, a friend can join you to help sweep up the streets. Kamen Rider won’t challenge for a top 10 slot on any SNES beat ‘em up list, but it is a good old fashioned example of the genre akin to those from the halcyon days. And one you’re likely to enjoy if you dig old Japanese rubber suited monster madness.
Sengoku was released in arcades on February 12, 1991. A Super Nintendo home port was scheduled to come out in early 1994, but it was canned and never saw the light of day in North America. It did, however, grace the Super Famicom. Although watered down, it’s still fairly fun (especially with a buddy by your side). After all, any game that allows you to briefly assume the form and spirit of a ninja, samurai or even a lethal canine can’t be too bad.
The North American version must have been completed or at the very least very close to being finished, as a review turned up in the pages of EGM (issue #56, March 1994).
As a kid I recall anticipating any arcade port that came out to the SNES. It was naturally understood and accepted back then — gosh, a quarter of a century ago now — that such home ports on the SNES were never going to fully match the arcade original. But that the really good ones would capture the essence of such games. It was a fun time to be a kid growing up on arcade games and the SNES. The luxury of playing a lesser version at home was a really big deal back in those days, and it was still fun to play the arcade originals whenever you were at the arcade. I was sad when Sengoku was scraped. Then, years later (2006 to be precise), I came back into the SNES scene and discovered that a Super Famicom version had made its way to Japan. I quickly tracked down a copy and ended up enjoying it, even if it was a watered down version. Like I said, it was standard operating procedure. I didn’t personally care that it wasn’t arcade-perfect. I knew I liked it and that was all that mattered to me.
Select between Bill or Dan. I prefer Dan because I find him to be a more effective fighter. Here he is, decked out in glorious early ’90s fashion from head to toe, kicking a bunch of Foot Soldier ass.
You know what I particularly love about beat ‘em ups? Those Andore-like enemies. You know, those towering titans that are several tiers below that of a boss, but they’re also several tiers above the cannon fodder. Sengoku has a good Andore representation. I love how big and bizarre these lumbering ogre-like creatures are. These hulking menaces are tougher than the rest, but by nabbing various orbs you can take the shape of a samurai to help even up the odds!
Sengoku shifts from regular looking stages that you would find in any beat ‘em up to strange astral stages, where it feels like you’re in some unworldly dimension. It helps to break up the monotony a bit and gives the game a rather unique feel.
The SNES version tried hard but obviously does not hold a candle, graphically, to the original.
The ninja form is swift and super efficient when upgraded to the ultimate form, where he can fling 3 Shurikens at once.
Not to be completely outdone, the dog form can toss out smaller versions of himself. Nice.
Your journey will take you through a decent amount of various locales, including this deadly sewer. Where are the gawd damn Teenage Mutant Ninja Turtles when you need ‘em, eh?!
[Oh Jared proved that years ago -Ed.]. Wow. OUCH.
As mentioned earlier, you’ll also travel to very strange otherworldly realms. It feels like a hazy dream or nightmare…
Sengoku excels in setting an uneasy tone. You always get this sense in the air that something isn’t quite right. Take this bridge scene for instance. The wolf-like creature it turns into looks like something out of a twisted children’s fairy tale you read at the library when you were 7.
Some bosses are demonic and ghastly.
While others are the traditional big and beefy kind.
The graphics are below average and the sound is weak to boot, but the saving grace is Sengoku is fairly fun (despite being a watered down port) to play if you throw expectations out the window. It’s just a mindless beat ‘em up with some neat power ups, bizarre bad guys and a moody atmosphere that combines both oriental and the occult. If that sounds like a good time to you, then be sure to give Sengoku a shot.
There were three Ranma ½ fighting games on the SNES. The first one was embarrassingly repackaged as Street Combat. The second one, Ranma ½ Hard Battle, was released in North America 25 years ago and received mixed reviews. The last of the trilogy, Ranma ½: Chougi Ranbu Hen, was scheduled to come out stateside but was canned due to poor sales of its predecessor. It’s a shame since Chougi Ranbu Hen is easily the best of the trilogy. It plays a bit like an old SNK fighting game. The lack of speed takes some getting used to but unlike Hard Battle which features an awkward control scheme, Chougi Ranbu Hen is much more traditional with special moves performed in Street Fighter II fashion. Not only does that make for a more enjoyable experience but Chougi Ranbu Hen also features a rare tag team mode. Very few SNES fighting games can claim that!
MEET THE FIGHTERS
By pressing the “L” button at any point during the battle, your character will perform a rather long taunting animation. If you can successfully pull this off without getting hit, you will activate your super power. Your moves will inflict more damage and you can even perform a super desperation move.
CAN YOU KEEP A SECRET?
WHAT THE CRITICS SAID
Ranma ½: Chougi Ranbu Hen received mostly positive reviews from those who have played it. Consensus has it that it’s easily the best of the SNES trilogy. Super Play rated it 79%. It’s often considered as one of the best fighting games found exclusively on the Super Famicom, ranking right up there with the likes of Godzilla: Kaijuu Daikessen, Gundam Wing: Endless Duel and SD Hiryu no Ken. Personally, I like those three brawlers a lot more than Chougi Ranbu Hen. Nevertheless, it definitely belongs in the conversation.
If you like old school fighters, don’t mind a slower paced fighting game and you’re a Ranma ½ fan, then I recommend this game. If those parameters aren’t suited for you, however, then this game won’t sway you the other way. It’s a perfectly decent fighting game that represents the brand well. Control is smooth and combos are easy to execute (something the previous two Ranma games lacked). The tag team mode adds some extra novelty and there are other cool little options. Examples include four color choices for each fighter, the ability to select stages and play the computer even in the VS. mode (and not just the story mode). However, it is disappointingly slow with no speed option available. If only it played a little faster, I would have enjoyed this game far more. But all in all, Ranma ½: Chougi Ranbu Hen is solid fighting fare, and is easily the best of the Ranma ½ trilogy.
Godzilla: Kaijuu Daikessen wasn’t the only SNES fighting game I was curious about for over 12 years. EGM ran a tantalizing preview for a cool looking fighting game in early 1994 that immediately caught my eye. First appearing in EGM issue #55 (February 1994), SD Golden Fighter was slated for a North American release and I could not wait to rent and play it. Several months later (September 1994), EGM would preview it once more (issue #62). Rebranded as Galactic Defenders, I figured we would get it well in time for the holidays and that it was only a matter of a few short weeks before Galactic Defenders would hit the shelves of KB Toys and Software Etc. Sadly, the North American release was cancelled for whatever reason. Probably because Culture Brain figured it wouldn’t sell too well in the end. But thankfully the game did come out in Japan under the name of SD Hiryu no Ken.
A 12 YEAR ODYSSEY
As a 10 year old boy who ate up any and every fighting game that came out back then, I could not wait to get my hands on SD Golden Fighter. I remember thinking that it looked like an arcade game! And feeling that it was probably going to be a lot better than most other SNES fighting games.
But as I said, sadly, the North American release wasn’t meant to be. There was even supposedly a box already designed for it, too.
The game of many names. It seemed like Culture Brain couldn’t make up its mind. Hell, it even changed from 10 MEGS to 12. In the end, it only came out in Japan as SD Hiryu no Ken.
LABOR DAY WEEKEND 2006
It was an innocent early Saturday morning just like any other. I remember going to GameFAQs (Classic Gaming forum) to see if anyone had responded to my question in a topic called “Saturn Collection 7″ regarding what everyone’s plans were for Labor Day weekend. It was there that I found someone raving about JapanGameStock.com. They were saying how JGS was having a special on Super Famicom games (Buy 3 Get 1 Free). I immediately visited JGS and what I discovered that night was a gold mine. A lot of the obscure Super Famicom exclusive titles I wanted were on there, including SD Hiryu no Ken! Once I saw the cartridge label, I had a hunch it was SD Golden Fighter AKA SD Dragon’s Fist AKA Galactic Defender(s). After checking AllGame.com (R.I.P.), it was confirmed! At last my 12+ year childhood curiosity was going to be quelled.
I ended up adding a few more games to the order on September 9, pushing my grand total to $362.16. Because JGS didn’t take PayPal back in 2006, I had to buy one of those pink international money orders. God, I think it’s been 12 years since I last purchased a money order. I bought so many of the green US money orders back in the early-mid 2000s for my Saturn game buying.
Fun fact: Once I bought these games during that fateful Labor Day weekend, I felt the timing was right to start my “Obscure Super Famicom Impressions” topic which I posted at several gaming forums. Prior to buying the games, I didn’t want to write about games I didn’t yet own out of fear of driving up prices. So once I knew I had secured a massive lot of them, I felt at ease to begin my topic having peace of mind knowing that I already own the games. My topic went on to become a cult hit within the retro gaming community. Keep in mind that late 2006 was before highlighting “hidden gems” and obscure Japanese games on YouTube, blogs and the like became all the rage. I’m not claiming to be the first one to ever do it, but I did become known as the guy who champions lesser known video games. My topic ran from September to December 2006 and eventually gave way to the birth of RVGFanatic in January of 2007. Without JapanGameStock’s help, there’s a chance RVGFanatic might never have existed. Nearly 12 years later and here we are. Crazy eh?
I ended up buying so many games from them in late 2006 and early 2007 that when they discovered I started my own site to highlight obscure Super Famicom imports among other things, JapanGameStock linked RVGFanatic. It is still linked to this day. What an honor. Thanks JGS!
DOES SD HIRYU NO KEN DELIVER?
Choose from four different playing modes: Story, VS., Tournament and Practice. An options screen allows you to reconfigure the buttons, select your computer difficulty level and as was typical of that era, there’s a speed option with a cheat code that allows you to crank it up to a level 3.
Boasting an impressive roster of 15 warriors, SD Hiryu no Ken held the distinct honor of having the most selectable fighters in a Super Nintendo fighting game. All for a week anyhow. SD Hiryu no Ken was released in Japan on July 17, 1994, while Super Street Fighter II came out on July 25, 1994, and featured 16 fighters. Still, SD Hiryu no Ken certainly gives you a lot of options, especially at a time when 10 or 12 fighters was the norm. It’s got a good mix too of karate masters, badass rebels, muscle-bound maniacs and mutant monsters.
Ryuhi’s stage takes place on a beautiful cliff overlooking a rock formation that resembles a howling wolf. Ryuhi is a balanced fighter and the main character of SD Hiryu no Ken.
Suzaku is the main villain of the game. His background is the same as the character you are using.
Believe it or not, Hayato has better star ratings than the main character. In addition to having a sweet rising uppercut (more of a palm strike really), his stage reminds me a lot of the grassy and stormy background in Australia from Street Fighter Alpha 2, sans the impressive lightning of course.
Roseman is lacking in power, toughness and throwing ability but he makes up for it with really good speed. Plus, he just flat out looks super cool. Not to mention his background features the famous Big Ben tower. Win!
Jenifer has Daddy issues you say? I say you’re the one with Daddy issues! After all, you’ll have to contend with Daddy, Jenifer’s big bad pet manticore. Things start to get a little bizarre with this character here, but that only adds to the game’s appeal.
Mainohonda, I mean, Mainohana, is a grand sumo champion who is surprisingly well balanced and has more stars to his name than the main fighter. He likes to conduct his battles out in a wooded area where he meditates before and after each match. After all, you can accomplish amazing feats when you train your mind, body and soul to be one with nature.
Looking and fighting like your typical Yakuza, Tetsuo has “badass” written all over him. It’s a shame, then, that he only has a star rating of 9, the lowest total in the entire game. Oh well, at least he looks the part. That and his background is awesome. I love how you can see the sun just peeking out over the land, which most assuredly is somewhere on the wrong side of town.
Fighting games are notorious for featuring at least one fighter who is the residential “freak.” E. Quaker fits that job description to a tee. A serpentine mummy of sorts, Quaker looks to claim the crown as his very own.
Wiler’s mighty fist has secured him many wins in the past, and he hopes to continue that tradition in this tournament. A military warrior, Wiler prefers duking it out under the harsh elements of the Amazon. The rain makes for a cool atmospheric effect.
Shrouded in mystery, RAIMA is a fighting robot and one of the fastest combatants in the tourney. The lab where his fights are held is rumored to be the same place in which he was constructed.
What’s a fighting game without a lovely backdrop overlooking a pretty city at night? Min Min, a Chinese female fighter with kick-based attacks, likes to pummel overly cocky punks when she’s not busy sampling the latest trendy restaurant or taking in the night life.
Looking more like he belongs in the Primal Rage universe, Uruka is a hulking and feral freak. I’m a sucker for a quirky fighting game roster and SD Hiryu no Ken definitely has exactly just that. His background is admittedly a bit dull, but I dig the flamingos.
Syoryu is faster than a bullet and combines traditional martial arts with Lucha Libre. Rey Mysterio would be proud!
Reserved outside of battle, Yuuka turns into a savage once the bell rings. A master of Daitō-ryū Aiki-jūjutsu, Yuuka likes to create whirlwinds to toss her foes.
Powers, surprisingly, owns the highest total star rating. Clocking in at an impressive 17 total stars, he is the strongest, toughest and best thrower in the game. Talk about a Hulk Hogan-esque push! The Ultimate Warrior, anyone?
Rather than always blocking, pressing R allows you to briefly side step and avoid potential attacks. Good stuff.
Pressing forward and R when close to an opponent allows you to go around them and strike them from behind. Both of these features add extra depth to the game and definitely puts a new twist on an old formula. Really keeps you on your toes!
OUCH… that’s gonna leave a mark.
Dashing backwards can help you avoid getting punctured by Quaker’s vicious scythe. Tetsuo, on the other hand, wasn’t so lucky.
Dashing forward is also possible. See the different costume colors for Wiler there? You can actually select from 8 (!) different colors for each fighter. I always loved it when fighting games from that era had that as an option.
Monsters and muscle-bound maniacs battling feisty females? Sounds like another taping of Lucha Undergound!
Endless barrage of fireballs await.
Alongside belly flops both big and small!
There’s something classic and pure about seeing that Fight label flash across the screen right before two combatants duel to the death.
Special moves definitely look cool, but the control isn’t the best.
Seriously, marvel at how badass they are! Such a shame about the unresponsive control, then…
Roseman thinks he’s so cool, but he’s about to get lit up right under Big Ben!
SAY WHAT NOW?!
Sega AM3 most likely wasn’t inspired by Tetsuo, but the similarities are fun to note nonetheless. Speaking of fun, Tetsuo has the greatest death cry in fighting game history. Whenever he loses a round, he actually yells “FUCK FUCK fuck!” Don’t believe me? Watch the clip below and tell me you don’t hear him dropping the F-Bomb three consecutive times
Or maybe that’s just his reaction to never receiving any royalty checks from Last Bronx.
12 years is a long time to be curious about a video game you saw in passing as a kid. I couldn’t wait to finally play this game after a dozen long years wondering if it was as good as my 10 year old self imagined. Sadly, SD Hiryu no Ken goes down for me as a massive disappointment. It looks great, sure, but not as much when you see it in motion. The frames of animation are a bit lacking and choppy. This is a big no no for a fighting game. Worse yet, the control is leaning toward the unresponsive side, with simple commands such as D, DF, F being way harder than it ought to be. This really spoils the experience.
Sure, the game has got a ton of cool looking special moves, but what good are they if you can’t accurately rely on producing them on a whim? The jumping also feels clunky and the sound effects are lacking in oomph and impact. On paper, it looks like an excellent quirky fighting game. But somewhere in the developmental process, something went awry. Don’t get me wrong, it’s certainly not unplayable. And there are some fans who stand by this game adamantly. The 15 characters are varied and unique. The art style is also very appealing. But it just doesn’t play very well and that’s something I can’t overlook. It does play better on the higher speeds but even then, I can’t help but feel this was a major disappointment. I wanted so badly to put it on my top 50 favorite Super Famicom games list but truth be told, it just isn’t that good. If I had to rate it, I would probably give it a 6.0 or a 6.5. Maybe a 7.0 if I’m feeling super generous. By my account, this game should have been an easy 8.5 at the very least. Very disappointing, indeed.
Still, something keeps me crawling back to it every once in a blue moon. A disappointment, sure, but also something of a guilty pleasure. With some tweaking and polish, SD Hiryu no Ken could have been one of the best fighting games on the SNES, especially when talking specifically about home grown fighters exclusive to the Super Nintendo. Alas, much like the canned North American release, it just wasn’t meant to be.