Although I started RVGFanatic nearly 12 years ago with the main goal of reviewing SNES games, I’ve always wanted to highlight a select handful of Genesis games that have resonated with me over the years. I finally reviewed my first Genesis game last month, Sonic the Hedgehog (appropriately so). It only took me over 11 and a half years but hey, this now makes two! Streets of Rage is a dear personal favorite of mine, especially when it comes to beat ‘em ups and Genesis games. Released in Japan on August 2, 1991, this month marks the 27th anniversary of Streets of Rage. And with the Streets of Rage 4 announcement made just a few days ago, I can’t think of a better time to pay homage to this game than right now.
By the way, there’s just something magical about those early Sega Genesis boxes. Many of them are incredibly nostalgic to me. Every little detail, from the white grid adorning the black background on the clamshell box to the cheesy but charming early ’90s art style, all add up to some wonderful memories of a special time in our young lives when video games were video games. By that I mean when games came fully packaged. Don’t get me wrong, there are some great benefits to the digital medium, but nothing will ever beat out physical copies complete with badass art and good old instruction manuals. All those vintage memories of sitting in the backseat of your dad’s car, eagerly scanning every tiny screenshot a hundred times over and devouring the manual front to back on the ride home… those times will never be replicated.
IT CAME FROM JAPAN…
In a rare case, both the Japanese and North American names for this game absolutely rock. Bare Knuckle sounds cool as hell, but then so does Streets of Rage. In fact, I’ll give the slight edge to Streets of Rage. Not just for familiarity and nostalgia but how can you beat the name STREETS OF RAGE? I mean, that’s badassery personified.
MEET THE CREW
THE STORY GOES…
ROUND ONE: CITY STREET
Although graphically it may not seem like much today, I can’t emphasize how much the visuals blew me away some 27 years ago. The first level sets the perfect tone, with the Pine Pot diner being a memorable standout. Although this first stage is full of bright lights and color, it’s also full of danger. There’s a certain grit to it and it has an impeccable late ’80s vibe. It almost feels like a Michael Jackson music video could break out at any moment!
Nothing like a good ol’ leaping knee to the mush.
Remember how those mini garage doors would open dramatically, revealing a bad guy inside? A classic trope of the genre that never gets old, no matter how many iterations appear.
Perhaps the coolest and most memorable “ass saving special” in beat ‘em up history. I don’t know of many cooler than calling on your cop buddy who comes barreling in only to launch an all-out fiery assault. It’s things like this that makes video games so damn fun.
The sprites in this game are smaller than I would like, but the bosses are usually significantly bigger. Just look at Boomer, f’rinstance. He was an intimidating sight back in the day, for sure, with his oversized boomerang and towering physique.
ROUND TWO: INNER CITY
I’m tellin’ ya, it’s a Michael Jackson music video just waiting to happen.
I remember this clown being the first regular enemy that gave me some trouble.
Wolverine’s claws but Sabretooth’s body. Lucky you, eh?
ROUND THREE: BEACHFRONT
When my best friend Nelson and I first saw this, we both had to pick up our jaws off the floor. Sure, it’s not as memorable as the rain in Legend of Zelda: A Link to the Past, but this was definitely a cool moment. And one that sticks out in my mind even 27 years later.
ROUND FOUR: BRIDGE
What’s a beat ‘em up without a level where there’s some kind of opening to throw bad guys into?
Big Ben is yet another classic genre trope. It’s the fat bald guy who ironically likes to run.
ROUND FIVE: “SHIP HAPPENS!”
One of the cool things about Streets of Rage is how crowded the screen can get. Most SNES beat ‘em ups, for comparison sake, would often max out at three bad guys onscreen. Not the case here!
I love the SNES (you might have noticed that…) but there’s definitely nothing like THATon the Super Nintendo.
ROUND SIX: FACTORY
If you’re not careful on this level, your brains will get crushed. But it’s fair game, so lure the enemies in if you can. No bonuses, but it’s just plain irresistible!
Another classic genre trope: previous bosses becoming “regular” enemies. The actual boss for this stage admittedly reeks of laziness: it’s just the stage two boss, only this time there’s two of him to contend with.
ROUND SEVEN: FREIGHT ELEVATOR
No boss is featured here, it’s just a straight shot up to the final stage. My best friend Nelson and I always got a kick out of using our special attack here. There was something ridiculously amusing about watching our cop buddy send a blast high and deep into the night sky from ground level.
FINAL ROUND: SYNDICATE HEADQUARTERS
By far the hardest stage of the game. This is due to a couple reasons. Namely, being indoors, your special attack is rendered useless. The second thing is you’ll face enemies (and former bosses) galore! In fact, the ever lovable (or not) beat ‘em up trope of a “boss rush” or “boss gauntlet” is in full (annoying) effect here.
When you finally make your way to the top, Mr. X will offer you the chance to be his top crony. If you select yes, you’ll be sent back to level six and forced to play through to the end of the game. This also applies to when both players say yes. However, if one of you says yes and the other says no, you’ll be pitted in a duel to the death. Only by selecting no (both players have to select no in the 2-player mode) do you immediately fight Mr. X. This was pretty cool, especially back then when things were very cut and dry. This at least gave you the option to rebel and presents a bit of a moral dilemma. It’s nothing crazy but for 1991, it was a nice subtle touch.
My brother and I always held this final boss fight in high regard. That’s because Mr. X was the spitting image of my brother’s best friend’s dad. Yep, Kerwyn’s dad was Mr. X in the flesh. So whenever we went to Kerwyn’s house and saw his dad, we couldn’t help but stupidly grin at each other behind his dad’s back. Ah, to be kids, eh?
Mr. X’s lethal gun is no joke though, that’s for damn sure.
TEAM WORK MAKES THE DREAM WORK
One of the many neat things about Streets of Rage is the ability to work with your friend and perform some sweet tag team attacks.
STREETS OF RAGE 2
Released just mere days before Christmas of 1992, Streets of Rage 2 is often considered the best beat ‘em up not only on the Sega Genesis but of all time.
I definitely dig it too but I don’t know. Call me an overly nostalgic fool but I honestly tend to prefer the original game.
In terms of gameplay, Streets of Rage 2 is objectively the more polished product. But similar to Donkey Kong Country and Donkey Kong Country 2: Diddy’s Kong Quest, despite being the slightly inferior game, I actually prefer the first one. I know I’m in the minority but oh well. You like what you like!
STREETS OF RAGE 4
For years decades, gamers have been clamoring for a Streets of Rage 4. There were rumors nearly 20 years ago that such a sequel might appear on the Dreamcast but that dream was shattered in short order. However, just a few days ago on August 27, 2018, the announcement was made official… Streets of Rage 4 is finally happening after all these years! A teaser trailer was released and fan reaction is a mixed bag. Personally, I’m not a fan of the art style but I’m going to keep an open mind and wait to play it until I cast judgment. One thing is for sure, it’s just nice to see Streets of Rage 4 happening at long last. Here’s hoping it does the franchise proud like Sonic Mania did for Sonic the Hedgehog!
WHAT THE CRITICS SAID
Streets of Rage was well received for its time. It was seen by many as not only a very competent Final Fight clone, but some even viewed it as superior, especially when you compare the Genesis game to the SNES port of Final Fight (which was butchered without question). However, some gamers feel Streets of Rage doesn’t hold up quite as well today as it did in 1991. I can see this perspective but I still get a kick out of this game whenever I play it.
CLOSING THOUGHTS
One of my favorite Genesis games back in the day was Streets of Rage, and I still have a soft spot for it 27 years later. Playing it back in 1991 transported my best friend Nelson and I, two young regular 8 year old boys, into the baddest ass kicking warriors this side of town. In fact, one of my fondest memories that Christmas season was playing Streets of Rage at Nelson’s house while his family was hosting a party. I remember Nelson’s uncles were there; I used to look up to them because I thought they were so cool. That night we fired up Streets of Rage on the ol’ Genny and I remember all the uncles in the living room stopped what they were doing to watch us play. They too were entranced by the simple beauty that was Streets of Rage.
And I still remember to this day feeling so high and alive. Feeling that Nelson and I, along with Streets of Rage, became the smash hit of the party. It was the coolest feeling an 8 year old kid could experience at that point in his young life. It’s a feeling I wish I could bottle up because Nelson and I were floating on cloud 9 that night kicking ass and taking names, all as Nelly’s uncles watched on. There was something special about playing beat ‘em ups with your best pal growing up. And there was something extra special about playing a beat ‘em up the caliber of Streets of Rage with your best friend back in 1991. It was a moment in time that you just had to be there in order to grasp the full effect. The gritty visuals, the epic electronic dance music and just the overall feel of the game… Streets of Rage was and forever will be a special Genesis game.
One of my sore disappointments when it comes to the SNES is the fact that we never got a Strider game. Whether a port of the 1989 arcade classic or a kick ass sequel, it just wasn’t meant to be. I mean, how ridiculously sick would Super Strider have been? We’re talking BADASSERY on a grand scale! But thankfully, a little company by the name of Horisoft offered Super Nintendo owners a small consolation prize in the form of Run Saber. Although it’s no Strider, it’s definitely the closest thing to it on the SNES. And it sports a 2-player co-op mode. Not bad for a company that only has one title to its name!
MEET THE CREW
Fun Useless Fact 1: I had a huge crush on a girl named Sheena back in the 8th grade.
Fun Useless Fact 2: I got her number one day and it took me an hour just to muster up the courage to call her. It was just like that one Wonder Years episode!
THE STORY GOES…
Futuristic Earth is not a pretty sight. The year is 2998 and Earth is hopelessly polluted.
Mankind’s last chance for a clean planet rests in the hands of Captain Planet Dr. Bruford. He has devised a plan to use radiation to trigger a change. Unfortunately, the experiment went horribly wrong and Dr. Bruford was mutated. Now he and his army of the unholy are looking to conquer Earth!
Fortunately, not all hope is lost. Enter the Run Sabers. Cybernetically advanced humans with the raw power to level cities, Allen and Sheena stand as Earth’s defenders and the last true bastion of hope.
STAGE ONE: TAJ BASE
Enhance your slash range by picking up the appropriate power-up. Allen’s slash looks just like Strider Hiryu’s… hmmm…
Scaling walls and causing tons of debris to fly everywhere is just another day at the office.
Another power-up allows you to perform a killer spinning attack. I love how you can cling to various scaffolds and lift yourself up.
Speaking of clinging, you’ll be doing lots of that!
Expansive and mysterious, eh? I wonder what will come out…
Excuse me for being slightly disappointed, I was just expecting something more than that. But what isn’t disappointing is Allen’s picture perfect jump kick.
Multiple tiers and platforms allow you to play a game of cat and mouse with this mini boss. Gotta love the explosions. Classic ’90s SNES stuff.
Peculiar enemies litter this once defunct command center that is now fully operational. It’s hard to miss but make sure you don’t rush to the exit — handy items could be lying nearby…
Horisoft had quite the sick imagination. Like something out of a nightmare, these weird and wicked female ghouls come bursting out of the wall with homing missiles ready to greet you.
Sliding to avoid the missiles by the hair of your chinny chin chin is way too cool. Speaking of cool, strike a pose whenever you beat a (mini) boss.
Interesting choice of colors here. Why do I suddenly feel like brushing my teeth? It’s moments like this that sometimes makes Run Saber feel rushed or incomplete.
Motion sickness be damned! This fighter jet takes you up, down and all around before revealing the evil that lurks within.
Enemies start popping up from the tail and mid-section of the jet. They’re easily subdued with a single slash.
Destroy the last one near the nose and enjoy the flying debris.
Hideous and tormented, this mechanical brain-like boss doesn’t put up much of a fight. In fact, most of the bosses in this game sadly don’t.
Brownie points though for the neat setting. Shades of Contra III.
Experience the gnarly power of MODE 7!
STAGE TWO: TONG CITY
Without a doubt the best looking stage in this game, Tong City is flat out gorgeous. But beware of the statues — some will spring to life and try to send you to the afterlife!
Fortunately, you can break incoming spears. Be careful not to get fried!
Sliding is mandatory here. Watch out for evil Mr. Clean.
Graphical glitches do crop up here and there, as seen above. The night life in Tong City is so beautiful that you can’t resist going back there.
Unfortunately for you, the locals aren’t so friendly. I love slashing the spear men in half. Shocking that Nintendo of America didn’t censor that.
Recurring mid-boss, that one. It’s Proto Man Kurtz, your cyborg predecessor. He retreats once defeated and it’s back to the teeming night life you go.
Strider flashbacks, anyone? That spinning ball of destruction never gets old.
Patience is key… as is holding on!
Another mini boss of sorts, this rock monster slightly resembles Godzilla. And in typical action movie style, our hero leaps out of harm’s way just in the nick of time. Actually, those explosions can’t hurt you but it’s a lot more fun pretending they can!
Atmospheric!
Coolest looking boss in the game is hands down the Wicked Witch. That’s Konami or Capcom level of creativity and intrigue!
Beware of the lasers that fire out of her fingertips. Unleash your ultimate special attack to put the bitch down!
STAGE THREE: JOD VALLEY
Things start off fast with a mini boss fight in the form of a vicious giant hawk. From the night time city to the open wilderness you go! Swing from the vines like Tarzan. Chest beating optional.
Elongated beasts will try to ambush you from the walls. And is it just me or does that enemy walking around there look like a cheesy bad kaiju suit from the ’60s?
Claustrophobics need not apply! That armored beast is yet another, you guessed it, mini boss fight.
Winged demons swoop in looking for a meal. Get past them and face Skeltor the Dragon. Skeltor once roamed the surface of the Earth eons ago but has been extinct for ages. That was until a parasite brought the fossilized fire-breather back to life! Life, uh, finds a way, does it not, Dr. Ian Malcolm?
STAGE FOUR: GRAY FAC
Entering an ancient mining facility, you’ll have to carefully navigate your way around a pair of swinging spiky balls. Sliding works well even if sometimes you cut it close!
Clinging on to dear life, Allen works his way through and does the spin cycle to take out a creepy looking mercenary.
Obliterate more mutant freaks on your way to another mini boss fight. This time it comes in the form of a giant flying knight. Watch out for his massive sword and projectiles.
Gargantuan spiky wheels plummet from the heavens right before your battle with Kurtz once more.
Sothern Jambalaya (such a weird name) has been overtaken by a mutant parasite and is now a raging machine of death! Your first task is to move to the right while avoiding the blue electric blasts the mechanical creature emits. Once you reach the vertical shaft, jump up and grab onto the beams while hacking away.
Slowly but surely you’ll strip it piece by piece until it crashes back down a twisted heap of scrap and metal.
STAGE FIVE: BRUFORD
There’s definitely a Contra vibe to this last level. Slice open the dim-witted mutant zombies but beware of the dangerous glop that flies out as a result. Luckily, you can strike those down with a well placed slash.
Visually, this last level was a bit of a letdown. It feels a bit rushed as the background just isn’t very interesting or creative. But there certainly is no shortage of minor bosses to battle.
Navigate your way through the hellhole and grab any helpful items you can.
Foreshadowing is always nice. But first, you must fight Kurtz for the final time.
Lovecraftian in nature, this mini boss screams H.R. Giger from Alien fame.
Getting frisky there, are we? Slide to the other side to avoid getting violated (unless of course you like that sort of thing). The final boss reminds me of a mix between the Robo-Corpse from Contra III and Freddy Krueger on steroids.
Without a doubt the hardest boss in the game, you’ll need all your special attacks you can muster!
Pollution ceases and Earth recovers. The Run Sabers have not only saved the day but the planet as well. The ending shot is a peaceful and promising sunset of a better tomorrow soon to come.
GIRL POWER
Sheena plays very similarly to Allen with the only minor difference in terms of gameplay being that Sheena’s attack covers a little more ground vertically while Allen’s is more horizontal. Her slash reminds me a lot of Guile’s Flash Kick.
CENSORSHIP STRIKES
Hardcore Gaming 101 cites that the original plan was for the second boss to be a reclining giant woman. Nintendo of America didn’t like the idea of kids beating up on a woman so the switch was made to instead use a zombie witch. In a rare instance of censorship working out, I actually prefer the change. The zombie witch not only looks better but it definitely comes across as more menacing and memorable.
DÉJÀ VU COVER ART
The art for Run Saber, with the artist’s name sketched in a corner, has an oddly familiar feel to it. Is it just me or does it remind anyone else of the Goosebumps books?
Definitely not the same artist but the signatures are reminiscent of each other along with the “93” number next to both artists’ names, indicating the year the art was drawn. Just me? Alright, moving on then…
WHAT THE CRITICS SAID
Run Saber was fairly well received by the critics. Although GameFan never reviewed it, they spoke of it very favorably in the preview. EGM was going through a funky experimental stage with its review system when Run Saber came out. Rather than the traditional four reviewers, for a couple months they had some reviews featuring just one score, tucked away on the side of the page. EGM gave Run Saber a rating of 8. Super Play, however, was less impressed. Essentially calling it a homeless man’s Strider, Super Play rated it 59%.
Run Saber is often held in solid regards within SNES circles. Most acknowledge it as a fun 2-player game and it frequently receives praise by appearing on many SNES 2-player recommendation lists that various retro gamers have constructed over the years. Similar to the previously reviewed Goof Troop, there are only five short stages but what fun you’ll have with a friend in tow.
CLOSING THOUGHTS
I’m still kind of sad we never got a proper Strider game on the SNES back in the day. But I’m certainly grateful for Run Saber. While it may be a far cry from the glory that is Strider, Run Saber is very competent and enjoyable in its own right. It’s also the closest thing to Strider on the SNES as one can get, and that 2-player option helps it tons, too. It’s pretty bare bones though — what you see is what you get. Visually, the game is a mixed bag. There are parts, namely Tong City, that look absolutely stunning but then there are way too many stretches that come across as rather drab and uninspired.
The music isn’t anything to write home about and the floaty jumps can sometimes annoy. The control hovers around fine, although it’s not super crisp. For example, climbing and clinging are great in theory but in the chaos it’s easy to get nicked when doing so by the horde of mutant freaks. On the bright side, Run Saber is never too hard where this hampers the game beyond a reasonable point. In fact, Run Saber is far too easy for its own good. And with only five short levels to its name, it won’t last you terribly long to blow through the whole thing in less than 40 minutes or so.
But bottom line, it’s just a fun game. Run Saber is a short but sweet ride while it lasts. Maybe it didn’t quite live up to its full potential and maybe its development was slightly rushed, but the fact that it still turned out to be pretty good says a lot. It’s just plain fun to slice spear throwing samurais in half and dismantle mechanical monstrosities limb by limb. There’s something very satisfying about that. I also dig its distinctively dystopian post-apocalyptic setting. From the moment you first land on Taj Base you can just sense that something is terribly not right. And that you are the cure summoned to right all these sordid wrongs. Malpractice and mutants run rampant, and it’s your mission to terminate all the viruses and parasites that have ravaged Mother Earth. A solid and steady side scrolling slash ‘em up, Run Saber is one of the better 2-player action games on the SNES in spite of its various shortcomings. Because at the end of the day, fun always wins out and this game is definitely a good time.
Capcom has a long track record with their video game adaptations of the Disney Afternoon. With solid hits on the NES such as the Chip ‘n Dale Rescue Rangers series, Darkwing Duck and the DuckTales games, as a kid back in the early ’90s it was exciting to ponder the 16-bit possibilities. Capcom’s first Disney Afternoon game on the SNES was Goof Troop. But rather than doing your typical platformer (as was so often the case with these sort of games), Capcom decided to switch things up a bit. Goof Troop features top-down action with puzzle elements thrown in for good measure. Some even say that Goof Troop is slightly reminiscent of a more streamlined Zelda. Obviously it’s nowhere as fantastic as Link to the Past but just being able to draw those pseudo comparisons speaks to the game’s quality. There are only five short levels but it’s a sweet ride while it lasts. Best of all, a 2-player option allows you and a buddy to play as the father-son duo of Goofy and Max. Use brawn and brains alike to rescue Pete and PJ from an awful pirate kidnapping. Not merely an action affair, it’s a bit of a thinking man’s game with just enough brain teasers to satisfy beyond the typical SNES action game.
THE DISNEY AFTERNOON
Being a kid in the early ’90s rocked. Thanks to awesome video games (the NES and later the 16-bit war) and television programming (TGIF and the Disney Afternoon), growing up back then was a magical and special time indeed. The Disney Afternoon made its debut on September 10, 1990. It ran four 30 minute cartoon shows from the 3 to 5 o’clock hour. For two hours, right after school, grade school kids would just plop themselves in front of their TV to watch great Disney cartoons such as DuckTales, Darkwing Duck, Aladdin and Gargoyles just to name some. Fridays were the best because it signaled the end of the school week and you celebrated it by watching two hours of the Disney Afternoon followed later that night by two hours of TGIF (with classic shows such as Family Matters and Full House). It was the perfect veg out way to kick off a kid’s glorious weekend. And that happened EVERY Friday back in the early to mid ’90s. Man, TV was the shit back then!
Goop Troop made its Disney Afternoon debut during season 3 (1992-1993). Premiering on September 5, 1992, Goof Troop ran for nearly 80 episodes. It also had two feature length movies produced (A Goofy Movie in 1995 and An Extremely Goofy Movie in 2000). Goof Troop focuses on the father-son relationship between single father Goofy and his son, Max. Along with the always entertaining neighbor, Pete (and his own family), Goof Troop was a great show and one of my favorites. The father-son aspect made it unique and special.
But perhaps the best thing about Goof Troop was its stellar intro. Cartoons used to have the best songs and intros, and Goof Troop was no exception. I mean, just check it out for yourself!
It’s a crime not to like that.
So being a huge fan of the show, I was thrilled to no ends when I started seeing Goof Troop previews in the pages of GameFan back in 1993. The SNES was getting its first Disney Afternoon game at long last. Although I was disappointed we never got a DuckTales or Darkwing Duck game on the Super Nintendo, I was grateful for Goof Troop.
ALWAYS STICK TOGETHER
As the show’s theme song goes, “We’re the Goof Troop, and we always stick together.” The 2-player mode is teamwork personified. Look no further than being able to toss objects back and forth as desired.
HELPFUL ITEMS
Up to two tools can be carried at any time. Should you already have two and want to pick up a new item, you’ll swap the currently selected one with the new one.
THE STORY GOES…
Another gorgeous sunny day in Spoonerville, Goofy and company headed out to the ocean for some fishing. Cruising for the big ones in open water, Pete and PJ were suddenly caught in the ominous shadow of a gigantic ship.
Victims of a pirate kidnapping, the towering ship set sail for Spoonerville Island. Goofy and Max rowed for all they were worth but they couldn’t catch the pirate ship before it landed on the island. Determined to save their friends, Goofy and Max set out to explore the island and find the pirate stronghold.
Presentation is simple yet slick in that classic Capcom way. Goofy is slower and stronger while Max is faster and weaker. When playing with a friend, I recommend Goofy for the more experienced player and Max for the other (Max’s speed makes life easier for novices).
LEVEL ONE: THE BEACH
Spoonerville Island consists of five levels. After landing on shore, an islander is ready to greet you and offer a few tips.
Cherries add hearts to your life. Grab the hookshot. Then talk to the islander and go on your merry way.
Enemies are defeated when you throw boulders and blocks at them. The same goes for snakes, except the hookshot can conveniently thwart their efforts as well.
Barrels and pots are fair game, too. Goof Troop has its fair share of puzzles. These usually consist of the “kick the blocks in the square” variety. The first one is easy peasy but they gradually tick up in difficulty.
Shovels allow you to dig for goodies. Certain blocks can be kicked, taking out any enemy caught in its path.
Unable to cross the bridge due to the gap, you spy a board lying in the far corner. You’ll have to work your way around in order to grab it, but once you do, you’ll be able to pass to the next section.
There’s something satisfying about clearing a room of its enemies and using your hookshot to grab the items.
Puzzles grow increasingly harder. Love the palm trees. A nice touch, for sure.
Puzzles, though they increase in difficulty, never get too out of hand. Nothing that a little staring contemplatively at the screen won’t solve!
Kicking a block into a bad guy never gets old.
Remember Whac-A-Mole? The first boss, Jester Hole, is a lot like that. Except you catch their barrels (and even bombs) and throw it back at their sorry faces. A password is given once you clear the stage, along with a tally of your time.
LEVEL TWO: THE VILLAGE
Questioning the jester goons on the whereabouts of Pete and PJ, we come to find out that the pirates mistook Pete for Keelhaul Pete, Pete’s evil pirate doppelgänger. This leads our heroes to the local village for answers where they’re immediately greeted by a pair of not-so-friendly locals. No rest for the wicked!
Another puzzle but this time the stakes are raised. You have to solve it while avoiding the fireballs.
Snakes are no match for the hookshot. Enemies get a little tougher as the game progresses — those guys can heave their swords at you!
Lollygag here and you’re screwed!
Hookshot can be used to cross gaps or procure goodies far away. Nice.
Rolling enemies are fast and deadly. Better slip into an alcove for safety. The second boss, Fire Bug, makes Dhalsim green with envy.
Beware of the torches. After exhausting the barrels at the bottom of the screen, you’ll have to catch incoming barrels from the locals.
LEVEL THREE: THE FORTRESS
Damnit, almost under 20 minutes. Always fun to try and best your time. Goofy and Max find themselves standing before a huge fortress. Goofy suggests knocking but Max knows it’s going to take more than that…
Maybe not that much more, though.
Cannonballs come firing in different directions. Spikes come into play as well. Keep an eye on that armored suit… it’ll spring to life!
Darkness reigns in some rooms, so find the candle to widen the scope.
Harvest Moon, Goofy wants to audition!
Casually strolling by with not a care in the world like only Goofy can. Catch the bombs and give it a taste of its own medicine.
Armored suits resurrect unless you damage them when they’re down. By the way, notice the crack in the wall there? Hmmm…
Ringing the bell makes the bad guy come to you. Line him up and take him out.
Doesn’t take a genius to solve this one
Protection? No such thing in Goof Troop. Pots travel through even walls. And although the hookshot doesn’t directly eliminate a bad guy, it can be used to push one over the edge. Sweet!
Turning a corner in a dark room only to run into a bad guy inches away is quite the tense moment. Make your way to the boss room before that moving wall crushes you.
Reanimated skeletons are bad to the bone, literally. Avoid the bones they’ll chuck your way, then grab them and heave it back at them. Heads will roll!
LEVEL FOUR: THE CAVERNS
Always fun to see the clear time under 20 minutes. Meanwhile, Pete and PJ are treated as royalty. The pirates don’t realize that’s not really their leader, Keelhaul Pete. The idjits.
There’s a chill in the air, brrrr. These caverns are damp and cold. Bundle up!
Barrels R Us! Get your arms up and catch those bad boys, then chuck it right back at them. But be careful, they can catch them too!
Exploding blocks add some extra depth to the puzzles.
Frozen rooms are slippery and a little trickier to navigate. Light up those flames before time runs out to open the door.
Quickly set the blocks in place while avoiding certain death.
Nothing like lining them up and mowing them down
Falling boulders are a great hazard. Ride the mine cart and take out any poor sap caught in your way.
Solving a puzzle in a dark room is definitely annoying. And so is being in a room with no barrels or pots to throw. But both instances up the difficulty a bit, which is sorely lacking in this game.
Brainteaser, this one.
Waterfall blocks your path. Clear it and then come back to enter the boss lair.
Rumblers crawl about looking to ruin your day. Grab the rocks that fall and let ‘em have it. Damn, almost 23 minutes. I wish more games from that era listed your clear times. It’s a detail I’ve always appreciated.
LEVEL FIVE: THE SHIP
Having spotted his neighbor and pal, Pete, Goofy rushes in only to fumble the situation in classic Goofy fashion. That’s when our heroes realize that’s the pirate king, Keelhaul Pete!
Graphically, the previous level was a bit drab. Thankfully, this last level looks a lot better as it’s filled with lush colors.
Hooray for being able to catch bombs. That conveyor belt could not come faster.
Crashing the party like only Goofy can, he really knows how to let loose. Hell, he’s about to jump on one of those tables and pull a Pee-wee Herman. No, not THAT. Thank God not that. I’m talking about the classic TEQUILA scene from Pee-wee’s Big Adventure. Later on, a tricky puzzle stands in the way between you and the key.
Shifting holes in the ground make this a bit tricky to navigate, especially for the impatient and hasty player.
Catching barrels from bad guys is the best. But always keep in mind they can do the same!
Keelhaul Pete stands between you and paradise. Watch out for his spin attack and his extendable hook.
Keelhaul Pete is done for, and you rescue your friends in the end. All’s well that ends well. The ending screenshot displays your total play time. Again, I wish more games from that era did this as well. It’s a nice little touch, especially for those who like to chart their play time.
WHAT THE CRITICS SAID
Goof Troop for the most part was well received in North America. GameFan raved about it in its preview, although they never reviewed the final product. Magilla from GameFan had this to say: “The magic of Capcom and Disney is back! The game is kind of like Zelda with just the dungeons. Capcom’s done a great job with the interaction between each player in the 2-player mode. In one situation, you’ll come across a room full of pirates. One player will use a bell, which will distract the pirates, while the other player moves by them undetected to flip a switch… way cool. It’s not Zelda, but it’s a great game.” EGM gave it ratings of 8, 8, 8 and 7. Super Play was a little less impressed though, rating it 69%. James Leach reported, “Goof Troop could have been excellent. It just needs a bit more variety, a bit more difficulty and, in fact, a bit more everything. So be wary, challenge fans.”
Mr. Leach certainly was right when he said the game could use more difficulty. It’s quite the cakewalk. But I strongly disagree that it could, “in fact, use a bit more everything.” But don’t take my word for it. Goof Troop is often held in pretty high regards among SNES fans.
CLOSING THOUGHTS
Capcom’s Disney Afternoon debut on the Super Nintendo was a success. There’s a reason why so many retro gamers often cite Goof Troop on recommendation lists along the lines of “Underrated SNES Games” and “SNES Hidden Gems.” It’s easy to pick up and play. The visuals are simple yet colorful and extremely inviting — the game’s overall look and aesthetic just makes you want to explore Spoonerville Island and discover what lurks behind every last nook and cranny. Animations are great and there are some bouncy tunes to bob along to, with each theme fitting that particular part of the island quite well. I especially love the sound effects. The sound of gaining a life is deeply embedded in my mind even all these years later. But the main ingredient that Goof Troop nails is the gameplay. It’s a breath of fresh air; I feel there aren’t nearly enough games like this on the SNES, which makes Goof Troop all the more unique and special.
Teamwork is the name of the game, and Goof Troop easily stands as one of the shining examples of 2-player co-op SNES experiences. Not only are Goofy and Max distinctively different, but the ability to catch and throw blocks in addition to a number of other strategies makes it a very rewarding 2-player team effort. It’s still fun when playing alone but the true magic lies in teaming up with a buddy. Items are perfectly allocated and the game flows extremely well. There’s almost never a dull moment or a stretch where there isn’t some fun gimmick to employ in one way or another. The puzzles are on the easier side (sans the final one) and you could beat the game on your first try. It’s not one of the all-time greats in the SNES pantheon by any stretch but as far as “best of the rest” goes, Goof Troop deserves its place in any well-rounded SNES collection.
The original Final Fight was ported over to the Super Famicom on December 21, 1990. It came out exactly one month after the Super Famicom launched in Japan. Final Fight 3 came out five whopping years later, landing in Japan on December 22, 1995. This time however, instead of being a revolutionary console on the upswing, the SNES was a grizzled vet practically on its last leg. Capcom cranked up the voltage as Final Fight 3 clocked in at an impressive 24 MEGS, making it the largest beat ‘em up on the SNES in terms of megabits. It featured branching paths, special moves, SUPER special moves and even a 2-player mode where the second player can be controlled by the computer if you didn’t have a buddy nearby. Capcom definitely redeemed themselves for the disappointment that was Final Fight 2. Let’s head back to Metro City one final time…
THE FINAL FIGHT — REALLY THIS TIME
I remember seeing previews for Final Fight 3 and Mega Man X³ in the back pages of GameFan in late 1995. Capcom was back at it milking more sequels than Friday the 13th. But that’s fine by me. Final Fight 2 was a sore disappointment and I had pretty decent hopes that they might get it right with Final Fight 3. Mega Man X³ looked like a welcomed addition to the series and it was just nice to see the Big C still supporting the Super Nintendo.
My brother and I hadn’t ‘upgraded’ to the PlayStation or Sega Saturn yet. We clung on to our Super Nintendo during its twilight years, although we certainly didn’t play it as much as we had done during the system’s peak. Still, I remember feeling like Final Fight 3 and Mega Man X³ was something of a last bastion of hope. A beacon of light in the darkness for the remaining loyal SNES fans who stuck by the system’s side even in its dying days.
Final Fight 3 is something of a special game to me in many ways. My family moved in late January of 1996. My childhood home. The place where I carved out countless memories with my parents, brother, uncle and friends for 10 years. The place that meant so much to me and was more than a town, more than a suburb. It was, in many ways, the wonder years.
And Final Fight 3, of the hundreds and hundreds of SNES games I rented from 1991-1996, proved to be the final (har har) Super Nintendo game I ever rented while living in my childhood home. In fact, it was just the weekend before we moved. I remember playing it with moving boxes all around the living room, cleaning up the streets of Metro City one last time alongside my older brother. Made for some good times and memories. As such, Final Fight 3 will always hold a special place in my heart.
THE FINAL FIGHTERS
Guy returns! As does good old standby, Mike Haggar, complete with a brand new ponytail. Some fans are split on the look but I always dug it. Dean and Lucia are the two newcomers. Bye bye Carlos and Maki from Final Fight 2. Honestly, I never liked them much.
After completing a martial arts training trip, Guy returns to Metro City only to find himself caught up in a riot. He is happy to once again team up with his old comrade, Mayor Mike Haggar, and bring justice to Metro City once and for all.
A former street fighter with a thorough knowledge of Skull Cross gang operations. He always carries a small picture of his family wherever he goes. The Skull Cross maniacs slaughtered his family when he refused to join up. Now Dean seeks swift retribution and some good old fashioned cold blooded vengeance!
A detective in Metro City’s Special Crimes unit, Lucia became Haggar’s ally after he helped clear her of a corruption charge. Now she’s returning him the favor.
The most popular mayor Metro City has ever known, Mike Haggar seems to become more powerful with age. And who says you can’t teach an old dog new tricks? Haggar has a few new moves up his sleeve… well, if he wore sleeves. Ah, you get the expression.
THE STORY GOES…
Well, that’s Super Play’s interpretation, anyhow. Classic SPLAY. No, here’s the real plot…
Classic Metro City map from the first Final Fight returns.
“GODDAMN look at you, Guy! Looking good as ever. How did your training go?”
“I picked up a few new tricks…”
“Metro City is under attack! If we don’t intervene quick, the Skull Cross gang is going to rip the city apart!”
“HOLD UP — WHO THE FUCK ARE YOU?!”
“Does it really matter? All you need to know is I know where those scumbags are headed.”
“I guess I don’t have much of a choice. But if you’re lying, I’m gonna kick the shit out of you!”
“GONNA BE JUST LIKE OLD TIMES… FOR THE FINAL TIME.”
Questions abound — will the Skull Cross gang succeed where the Mad Gear gang failed? Will Dean get his revenge? Will Haggar’s ponytail choke a bitch? Let’s find out!
Japanese version on the right. Notice that it’s much fancier and was known as Final Fight Tough over in Japan.
ROUND 1: POLICE STATION
Running attacks are new to Final Fight 3. Each character also has a special move which is executed in Street Fighter fashion. These new tricks really add to the gameplay and helps to keep things fresh.
Another brilliant addition by Capcom, SUPER special moves can be performed when you fill up a small meter at the bottom of the screen. SUPER specials inflict a ton of damage, not to mention they just look frigging cool.
Barrels contain goodies to recharge your health or boost your point total. Making your way through Metro City Police Station, incarcerated members of the Skull Cross gang can be seen from behind their prison cells. Nice touch, along with the dim flickering lights.
Capcom delivers a nice tip of the hat to its roots. This scene is reminiscent of the car bonus stage from the first Final Fight. “OH! MY CAR” remains one of the most memorable lines in gaming history.
Known for its big beefy bosses, Final Fight 3 continues that tradition well. Meet Dave, a corrupt massive cop gone rogue. Gorilla slam his ass into oblivion, Ultimate Warrior style.
Unfortunately, our heroes were duped. The Skull Cross gang staged the riot to keep the police busy as they freed one of their leaders from prison. Meanwhile, Dean apologizes for before. He didn’t have time to explain then. He tells them he was a former street fighter on the circuit, and when he refused to join the Skull Cross gang, they slaughtered his family. Now it’s payback time!
ROUND 2: MAIN STREET
Haggar loves to show off his sinewy tight muscles as he sprints ahead. Now that Costco is infamously no longer selling their $1.50 polish dogs, everyone is flocking to Metro City for their hot dog needs.
Although perhaps not quite mutant, I like how Final Fight 3 introduces some gray area into some of their bad guys. I’ve always preferred my beat ‘em ups to stray a bit from the beaten path. Some of the fat enemies don’t look quite human. It’s almost like some of them are failed experiments gone wrong, or right, depending on your perspective.
Speaking of paths, one of the best things about Final Fight 3 is that there are multiple routes to take. Bust that door open and you’ll enter the Club. And speaking of best, what’s better than finding a big piece of BBQ chicken (that will fully recover your health) when you’re just one hit away from dying?
Callman, another big beefy (bald) badass, will kick the ever living shit out of you if you aren’t careful. The furniture goes flying!
Haggar’s mighty axe swing helps even up the odds.
Callman would be a hell of a linebacker in the NFL. I love how he’s so damn big that Haggar’s spinning piledriver on him looks a bit ridiculous!
Destroy the fence instead however and you’ll find yourself in a rundown park. Notice on the bench (zoom in if you’re on a mobile device) the word FUK. How that slipped by Nintendo of America… I’ll never know! You still fight Callman at the end here if you take this route.
ROUND 3: BUS STOP
Shattering glass windows is quite satisfying. This stage allows you to take a shortcut and skip directly to the next level by breaking the bus stop sign. But if you don’t, a bus will come by to pick you up.
Daaaamn! That’s the first thing I thought when I first boarded this bus. Look at the size of that ham hock! It’s almost big enough to fit a T-Rex.
Electrocute the competition with Dean’s mighty fist. There was a rumor that Dean is really a robot but that’s never been confirmed. Also, because the game refers to his family, that’s reason to believe the robot theory is off. Andore makes his first appearance here. Get too close and he’ll choke the hell out of you.
Showing off his strength, Dean lifts Andore high over his head before sending him crashing down across his knee. Ouch! Talk about a mean back breaker.
Eventually the bus stops at a scrap yard. Next stop: ELECTRIC AVENUE!
Soaring high into the air, Dean’s SUPER special is a throw from the heavens.
Jumping on top of the bus now, Dean faces off with Caine and his cronies. Caine is a lot tougher than Dave and Callman.
Caine’s odd design left me feeling a little unsettled as a kid. The hunchback, the abnormally long arms and incredibly shrunken head made him exactly the kind of creep you wouldn’t want to run into down a dark alley…
ROUND 4: THE SHIP
Destroying the bus sign allows you to skip the bus and fighting Caine. It takes you straight to the docks. Haggar loves a beautiful sunset.
Andore continues his progressive transformation toward becoming a full time Frankenstein. Watch out for those killer abs!
Running attacks brought a sense of speed to the game. It never gets old hitting a running clothesline on some sucker.
Finally, we get female enemies in a Fight Fight game on the SNES! The previous two games in the series altered the female enemies to be guys. ProTip: Avoid being in the middle of an Andore sandwich.
There’s an age old debate among some folks pertaining the question, is a hot dog really a sandwich? Fear no more, Final Fight 3 puts a definitive end to that debate.
Survey says… NOT A SANDWICH! Thank you, Capcom, for putting that silly notion to bed. You have a choice to go up the stairs or through.
Careful there Mike, those tiny masked guys are fragile. Most beat ‘em ups on the SNES features three enemies on screen at the most, but Final Fight 3 has a few sections where there’s four (as seen above).
Carrying a huge anchor, Drake (nope doesn’t look like Dave whatsoever…) will swing it around and try to crush you with it. If that fails, he’ll rely on his heavy bottom to take you out.
Another cool aspect about Final Fight 3 is that the shoulder buttons allow you to lock in on a direction. Double tap back when doing this and your character will do a quick hop backward. It just adds another layer of depth and nuance to the game and is the only SNES beat ‘em up to feature this.
BONUS ROUND 1: THIS IS SOME BULL
Bulldozer comes steaming after you, trying to knock you off the pier. Only jumping attacks work, and there’s barely any room (literally) for error.
Should you fail, one of your teammates will fly in for the assist. But if you can beat it, you’ll earn extra points.
ROUND 4B: CHINA TOWN
Boarding the bus and defeating Caine takes you straight to China Town. It’s a beautiful depiction of China Town at night with all the fancy lights shining.
Detective Lucia reporting for duty!
Andore likes it rough but not THAT rough.
Haggar takes over as we enter the kitchen. Wong comes busting out!
Similar to Caine, there’s something that’s just OFF about Wong. It’s definitely his creepy looking eyes, which left me a little unsettled as a kid. Watch out for his Blanka-like rolling ball attack.
Sleeping burning on the job there, are we, Wong? The way he convulses at the end is also a little disturbing. Quit staring at me with those alien eyes!
ROUND 5: FACTORY
Haggar finds himself trudging through a sewer to begin this stage. Capcom’s classic Yashichi icon can be picked up for temporary invincibility. Look between Haggar’s legs… damn that sounds like a sordid piece of fan fiction right there.
Another cool thing about Final Fight 3 is that certain weapons are better used by certain characters. For example, Haggar really knows how to swing the lead pipe whereas Guy is not nearly as competent with it. Again, this is another feature that you won’t find in any other SNES beat ‘em up.
Haggar in a shady back alley? Nope, nothing wrong with that. A new enemy called Hunter appears on this stage. Armed with a baseball bat and a mask, he’s pretty cool looking but is painfully slow. Still, a unique enemy especially in the Final Fight universe.
Hunter reminds me a lot of an enemy from Undercover Cops, who also wields a baseball bat.
Always fun to see stuff like this.
Destroy the second door to unlock a secret area.
Decimate all the computers here and you’ll be taken to the final round without having to face the boss of this stage!
However, if not, you’ll have to work your way to the boss.
Obviously, doing so is going to make your life harder but it also extends the game and lets you face arguably the toughest boss from the Skull Cross gang, Stray.
BONUS ROUND 2: RUNNING OF THE BARRELS
ProTip: Avoid barrels. Break computer.
ROUND 6: SKULL CROSS HEADQUARTERS
Finally, we come to Skull Cross HQ. Guy takes over, tossing bad guys around like sacks of potatoes.
“HADOKEN!”Not quite, but it’s still pretty cool. As is his spinning kick.
Capcom messed up on Guy’s SUPER special move. The bad guy always falls down before Guy can hit his little fireball, making this move look a bit silly.
Uncover more bonus rooms by breaking them open.
Peculiar to see BBQ chicken hiding inside a water dispenser, but alright then!
Andore’s no match for Guy’s fireball. And here’s another section of the game where four enemies crowd the screen at once.
Special moves really add to the quality of gameplay, requiring some level of skill to execute rather than just mashing away at the buttons. Toward the end, a chopper reveals itself to set up the final battle.
Details are on point here. Shock waves can be seen on the ground complete with a perfectly matching sound effect to punctuate the arrival of Black, the big bad of Final Fight 3 and leader of the Skull Cross gang.
Bursting out of his jacket, Black uses a spinning attack even more effectively than Haggar’s. That’s because Black’s spin attack actually sees him zipping around the screen like a mad man!
Beware of all the knives he’ll throw as well. When his health is depleted to the last bar, the screen will shift to the right slightly, revealing an electric generator.
Satisfying way to kill him! But you won’t have long to celebrate — the generator goes bonkers and the whole place is about to blow. RUN!
Haggar: “We saved Metro City! Thanks, Guy!”
Lucia: “AHEM!”
Haggar: “Er, I meant thanks, guys.”
Guy: “No problem. But look at the city — it’s nearly in ruins.”
Lucia: “Well, that’s a problem for Mayor Haggar to deal with, isn’t it now?”
Haggar: “Don’t remind me…”
Drifters, by nature, come and go. Dean’s work is done. For now at least.
Kansas’ Carry On Wayward Son can suddenly be heard playing in the background…
“Carry on my wayward son. There’ll be peace when you are done. Lay your weary head to rest. Don’t you cry no mooooore.”
Haggar and friends go out in style.
UH EXCUSE ME — PRESS START ANY SECOND NOW!
Capcom always had the greatest continue screens with their Final Fight games. Final Fight 3 is no exception.
GLITCHES R US
Although the production values for this game is solid enough, there are a few instances where you can see ever so briefly (less than a split second) some funky not-so-fluid glitches. It really doesn’t kill the game in any way (especially since it’s really not that bad) but it’s interesting to note regardless.
WHAT THE CRITICS SAID
Final Fight 3 pretty much got brutalized by the critics when it was initially released back in January of 1996. The game was criticized for being outdated, out of touch with the times and not offering anything new. Which is crazy, considering Final Fight 3 not only added special moves but SUPER special moves (among other standout features). But I get it. It was simply a victim of its time. Back in 1996, most people were not looking to play an “archaic” 2D side scrolling beat ‘em up, and the game’s review scores reflect that sentiment. EGM gave it scores of 6.5, 5.5, 5.5 and 5. GameFan gave it ratings of 77, 67and 55%. Super Play minced no words, slapping it with an embarrassingly low rating of 49%.
I love Super Play. That fact is well documented around these parts. But I vehemently disagree with their assessment of Final Fight 3. First of all, to me it’s just ludicrous that you can rate a game’s gameplay as 70% but rate the game an overall score of 49%. I believe the gameplay and overall score should be similar. Yes, graphics, sound and longevity all play a factor in deciding the overall score but gameplay has to be where the emphasis lies. Come on Super Play, that wasn’t cool.
CLOSING THOUGHTS
Final Fight 3 is one of those games that got killed in the press when it initially came out but is now acknowledged as a (really) good game. In fact, I can’t think of an SNES game that was more criticized at the time of its release yet is now so beloved as Final Fight 3. Again, it was a matter of timing and circumstances. Back in 1996, with all eyes toward the (32-bit) future, a game like this looked like a couple years too late. Capcom was accused of once again releasing a lazy sequel. But now however, Final Fight 3 has been received with welcome arms and is often considered as a top 5 beat ‘em up on the SNES. It added some great new features to the fold, including special and SUPER special moves, running attacks, throws from behind, the ability to lock your direction and even retreat with a quick dash backwards.
Lest we forget the branching (and secret) paths which help add to the game’s longevity. Hey remember those old “CHOOSE YOUR OWN ADVENTURES!” books? Yeah, Final Fight 3 kind of has that vibe thanks to its multiple routes one can take. Of course, perhaps best of all, two players can FINALLY use Mike Haggar ANDGuy simultaneously. The two new characters, Dean and Lucia, aren’t too shabby themselves and are much more interesting and fun to use than Carlos and Maki from Final Fight 2. Oh and you can’t forget the brand new Auto 2-Player mode. This option allows the computer to control the second player. It’s handy for those nights where it’s just you and your Super Nintendo [Isn’t that you every night? -Ed.] Shush! *looks into imaginary camera* This is a cry for help!
The graphics are pretty good. Sprites are big and beefy. There’s a good amount of color on screen, although a few areas are rather drab and lacking in intricate detail. Animation is a little on the wonky side though. Some animations could have benefited from more frames, but it’s certainly not wooden by any means. It’s just not as silky smooth as you would expect coming from Capcom. Sometimes Final Fight 3 looks great, and other times it looks only average. The same could be said for the music and sound effects. Some sound effects are a little muted while others, like the chopper landing sending out shock waves, are spot on. The music is pretty good in certain areas while forgettable in others. Thankfully, it’s the gameplay that matters most, and this is where Final Fight 3 delivers its biggest punch. It’s simply a blast to play, and thanks to all its nuances, it doesn’t grow nearly as repetitive as many other beat ‘em ups I could name.
But the game’s biggest flaw is that it suffers from some slowdown in the 2-player mode. Not to the point where it’s unplayable, but enough where it’s definitely a bit annoying. Still, that doesn’t stop Final Fight 3 from being the best Final Fight game on the SNES by a comfortable margin. It’s funny how so many people came to appreciate this game more only years and years following its initial release. There are a few other SNES games I can think of that fit this bill, such as Mega Man 7 and Street Fighter Alpha 2, but none wears it finer than Final Fight 3. While it has its share of flaws, Final Fight 3 is easily one of the top 5 beat ‘em ups on the SNES and a damn fine example of a beat ‘em up done (mostly) right.
Final Fight, originally released in 1989 in the arcade, was a huge success for Capcom. It was ported to the Super Famicom in Japan just in time for the Christmas season of 1990, and it came out stateside for the SNES in September 1991. Although an impressive early SNES game in many ways, the port was somewhat butchered. Namely, it lacked a 2-player co-op mode, Guy was M.I.A., an entire stage was cut out and of course, censorship because Nintendo early ’90s. In the late summer of 1993, Capcom attempted to rectify matters (and cash in) when they released a sequel, Final Fight 2, exclusively for Nintendo’s 16-bit system. It might very well be the first SNES game to have an exclusive sequel with the first game being an arcade port. (I certainly can’t think of an earlier example of such off the top of my head. If you can, then comment below). Unfortunately, Guy and Cody are sadly nowhere to be found, but on the bright side there’s now a 2-player co-op mode. Was Capcom able to strike gold, or were they simply looking to make a quick buck based on the brand that was Final Fight? Let’s head over to Metro City and find out…
The North American box is a little shady. Damnd, an old boss from the first Final Fight, can be seen on the box but he never appears in Final Fight 2. Also, there’s a green mutant peeking from underneath the sewers. There was no enemy close to this in the actual game. Ah, the ’90s. Bless your heart.
STROLLING DOWN MEMORY LANE
The above was originally written on RVGFanatic (the first version) on November 21, 2012. That date marked the 22 year anniversary of the Super Famicom. As I write this now, the Super Famicom is now nearly 28 years old and counting. Wow, if that doesn’t make me feel old! Well, as the picture above states, I suppose I owe you a story…
December 1991. I was 8 years old on vacation with my family and friends in Lake Tahoe. Back in the day my family formed a strong friendship with four families. Together, between 10 parents and 16 kids, we had some of the most legendary sleepovers in the history of mankind. 11 boys and 5 girls, ranging from birth dates of 1978 to 1986, staying up late doing whatever it is that boys and girls do. We rented out a HUGE cabin where all 26 of us stayed. It was INSANITY. One of the guys, Tommy, brought along his newly acquired Super Nintendo with copies of Super Mario World, F-Zero and Final Fight.
A very bizarre and peculiar thing happened on that trip. Something so strange that it haunted me throughout my childhood. That Sunday morning, my mom decided to let me sleep in while everyone else filed out for breakfast. I woke up to an empty cabin with weird odd noises coming from every which direction. If only those cabin walls could talk, who knows what ghastly and terrible secrets might be shed? I tip-toed downstairs, calling out the names of my family and friends. All the while knowing deep down that no one would answer my cries. No one living, anyhow.
Indeed, all I heard back in response was the loud hissing and groaning of the creepy cabin. Suddenly a cold chill swept up and down my spine as I knew something wasn’t right…
After braving my way to the kitchen at long last, I found a note taped to the fridge.
Steve, Everyone woke up early except for you and we went out to get breakfast. You stayed up so late last night and you need the rest. Make yourself some Honey Nut Cheerios, and don’t watch too much TV. We’ll be back soon.Love,
Mom
I couldn’t believe it. My mom actually left me home alone in the middle of nowhere — OK not quite, but still! Did she not watch Home Alone?! I remember opening the fridge and seeing an ice cold can of 7 Up, my favorite soda back then. Oh how I wanted to grab that bad boy and chug it. But alas, I was not about to use the bathroom. There was no way in hell I would risk having to saunter down that demonic looking hallway that stood between me and the bathroom…
Ever feel a presence in the room with you? That someone, or something, is watching you? That’s how I felt on that cold dreary December morning of 1991. But being a resourceful kid, I believed that spirits would never mess with you if you had the TV or radio playing. Any kind of noise would ward off evil spirits. They would only attack those who were alone in silence. So I promptly turned on the TV to watch WWF Wrestling Challenge for the hour. It wasn’t long before I spotted Tommy’s Super Nintendo lying on the floor. This was my chance! The older kids hogged the system the night before, leaving me out in the cold. I fired up F-Zero first and then played Final Fight until everyone came back from breakfast. Part of me was ecstatic to see them again as I was no longer alone in this cabin from hell. But something funny happened during my first SNES experience. It made me forget about all my fears and worries. Instead it transported me to the future of video gaming, where you could snap a guy’s neck in two and soar 200 feet across a race track suspended high above a futuristic city — all in stunning graphics and sound. And ever since that fateful December morning nearly 30 years ago, I’ve been a Super Nintendo fan for life.
THE STORY GOES…
THE FIGHTERS
ROUND 1: HONG KONG
Oddly (and regrettably), weapons in Final Fight 2 are more detrimental to you than they are to the bad guys. That should never be the case. There seems to be a split second delay when trying to use weapons, and I definitely do better when fighting with just my bare hands. The sound effect for the weapons are also incredibly weak. Nowhere near Capcom’s usual quality. Shocking and disappointing, which is sort of the theme throughout this game.
Haggar’s piledriver now rotates in mid-air and looks a lot more fluid and impactful than it did in the first game. At least Capcom got something right here.
Censorship strikes again. Won Won looked even nastier in the Japanese version — he wields a deadly meat cleaver there.
ROUND 2: FRANCE
Andore and Abobo were my two favorite goons to beat up as a kid. There’s just something satisfying about destroying the snot out of a towering titan with a jacked up physique.
Punch, punch, press up and punch. It’s an instant 3-hit combo ending in a throw that protects you and dishes out extra damage to any surrounding bad guys. In a pinch? You can do this after one punch instead of two. A staple of the Final Fight franchise, I wish all beat ‘em ups featured this handy technique. No need for grapples, although you can still do that if you want.
You’re on a midnight stroll looking for some thugs to trash and you spot some lackeys loitering around. Sometimes you can even sneak in a hit or two before they come to their senses. Truly a beloved staple of the genre!
You have to show them that you’re really not scared You’re playing with your life, this ain’t no truth or dare They’ll kick you then they beat you then they’ll tell you it’s fair So beat it, but you wanna be bad
Just beat it, beat it, beat it, BEAT IT! No one wants to be defeated Showing how funky and strong is your fight It doesn’t matter who’s wrong or right
JUST BEAT IT, BEAT IT, BEAT IT!
The Street Fighter games and the original Final Fight did this a thousand times better. From the weapons sounding weak and lacking impact to the way the car is animated as it’s being destroyed, this car bonus stage comes off as a very weak homage. Shame, Capcom. SHAME!
ROUND 3: HOLLAND
Mines are scattered throughout this stage. Holland is my favorite level in the game because of that and the boss, Bratken.
They told him don’t you ever come around here Don’t wanna see your face, you better disappear The fire’s in their eyes and their words are really clear So beat it, just beat it!
You better run You better do what you can Don’t wanna see no blood Don’t be a macho man!
Standing 6’7″ and weighing in at 434 pounds of muscle, Bratken is a psychotic overgrown boy who loves toys. He was bribed to join the gang by being locked in a room filled with toys. But now he’s bored and wants to get out. Looks like he just spotted you, his next teddy bear victim. It’s too bad the rest of the game isn’t as interesting as this.
Love his, ahem, smashing entrance. Not the best animation though as dude is a bit stiff. But hey, that’s probably from being cooped up in his little cell there more than it is lazy programming on the part of Capcom, yeah? Right…
ROUND 4: ENGLAND
No one ever accused Final Fight 2 of being original. I love how Andore looks when he’s being thrown. Seeing his big old carcass flying around the screen like that is real sweet and satisfying.
Most of Final Fight 2 possesses a desolated and bleak look but this stage is the lone exception.
I never liked this clown. The look, the aesthetic, even his name Philippe. It just came off as very generic and forgettable to me. Give me Clown from Fighter’s History any day!
This bonus round is damn hard. Props if you can complete it.
ROUND 5: ITALY
This is particularly hazardous as you don’t have a whole lot of wiggle room and as I stated earlier, the weapons in this game suck. A beat ‘em up where weapons are useless is a crime. That’s a plain simple fact.
Capcom made a few glaring omissions with the SNES port of the first Final Fight. One of which was taking out a stage that featured Rolento at the end. I guess in their quest to fix past errors, Rolent came back for Final Fight 2. Love the shadows that trail him. Still shots does this no justice. You have to see it in motion to truly appreciate it.
ROUND 6: JAPAN
We come to our final stop, Japan. The Land of the Rising Sun. And, apparently, the Land of the Rising Haggar. Hmm. I’ll leave it at that.
Andore’s design was inspired by Andre the Giant. The 7’4″ 500 pound giant was a major attraction in the world of professional wrestling. Rest in Peace, big guy.
He blocks a lot and is a pain to put away.
Carlos is so tough that his sword is mostly for show. He’ll whip it out though in a tight spot. The sword, of course.
But ah, if only it were that simple. With Belger rotting away in some ditch, the new head honcho is a weird looking dude that goes by the name of Retu.
As the boys are busy trash talking, Tung Fu Rue Genryusai hangs precariously in the air.
A dramatic ending to a rather dull, pardon the pun, final fight.
The text above was inspired from the final two lines of John Carpenter’s HALLOWEEN. Speaking of which, I had a chance to see the original Halloween in theaters back in 2012 when it had a special one night only showing. I can’t wait for the definitive sequel this coming October!
Fear not, Belger fans. He would later return to the series as Cyborg Belger in Mighty Final Fight, and then once more in Final Fight Revenge.
Final Fight 3? Naaah, Capcom would NEVER milk a franchise… oh who am I kidding? Let’s face it, they’ve produced more sequels than most horror movie franchises!
SAVE ME MAYBE?!
Obscure video game fact: Mike Haggar has a twin. The Haggar we know and love died in Final Fight 2 (as you can see here). That explains the ponytail Haggar sports in Final Fight 3…
TRICKS AND SHENANIGANS
Interesting note about the 2-player mode: you can hit your buddy but the damage inflicted is minimal. A fun little trick is hitting both your partner and a boss character simultaneously. You can hit your friend repeatedly without them falling over, and bosses can get caught in this endless loop. Your friend takes very little damage per hit while the boss will take normal damage. You can easily abuse this system. There’s also a code to play as the same character. Press Down, Down, Up, Up, Right, Left, Right, Left, L, R at the title screen.
Final Fight 2 offers four difficulty levels. The easier ones are a joke but Expert is downright brutal, with enemies requiring a hundred hits before perishing. You can only unlock the full ending if you can beat it on Expert (which features a nice Guy cameo). On a final note, there is some text in-between stages but no pictures to go along with them. It reeks of lazy programming and a lack of attention to detail, something very uncharacteristic of Capcom back in the ’90s.
WHAT THE CRITICS SAID
Final Fight 2 received mixed reactions. Oddly enough, despite being previewed twice by EGM, it was never reviewed. However, in EGM’s bi-monthly affiliated sister publication, Super NES Buyer’s Guide, Final Fight 2 received ratings of 85, 85 and 92%. GameFan, notorious for handing out high scores like free condiments, was split with their thoughts on this sequel. They gave it ratings of 70, 78, 84and 93%. The 23% differential in the 70% and 93% ratings makes it one of the biggest scoring discrepancies in GameFan’s history. Super Play rated it 75%, which by their standards is a fairly respectable score especially for a beat ‘em up (a genre they often rated on the lower side). Most gamers seem to agree that Final Fight 2 is slightly above average at best, and at worse, kind of dull and not too good.
CLOSING THOUGHTS
Final Fight 2 was one of those sequels that my brother and I highly anticipated back in 1993. We loved the first Final Fight but hated that we couldn’t play it together. Final Fight 2 promised to fix that glaring omission. While the 2-player mode is nice, there’s a bit of occasional slowdown. But that’s not the worst offender. The game, for some reason, is missing the magic of the first Final Fight. Even if you forget about comparing it to the original and judge it strictly on its own, it’s honestly kind of drab. There’s nothing particularly lousy about Final Fight 2, but it just lacks the magical ingredients that made the original so fun and endearing. Final Fight 2, in a lot of ways, really feels like a “direct-to-video” (or direct-to-SNES) sequel. And maybe that’s because it literally is. But Final Fight 3 proved you can be direct-to-video and still be good. Frankly, Capcom kind of went through the motions here and it shows.
That’s not to say Final Fight 2 is a bad game. But being decent yet disappointing sums it up best, and shows you the high benchmark standard that Capcom set with the first Final Fight. On the bright side, the visuals are pretty strong by late ’93 SNES standards, aside from some stiff animation and some backgrounds border on being a bit lifeless at times. On the down side, the music and sound effects are below Capcom par. Weapons are essentially ineffective. Carlos and Maki are generic enough to be forgettable as is the final boss. But although it lacks the polish you expect from a firm like Capcom, there’s no denying that beat ‘em up fanatics will still find some level of enjoyment; it’s not incompetent or unplayable by any means. There are just so many better choices available on the SNES, such as Return of Double Dragon and Teenage Mutant Ninja Turtles IV: Turtles in Time. I’m glad Final Fight 2 came out, but I’m disappointed with how it turned out. Oh well, at least Capcom got it right on their third try. After all, they say third time’s a charm…
August 1993 was a big month for Capcom. They released two major sequels: Final Fight 2 (10 MEGS) and Street Fighter II Turbo (20 MEGS).
I remember thinking how cool 10 MEGS was because at the time SNES games were either 4, 8 or 16 megabits. A few were even 12. But 10? That was unheard of, and I think Final Fight 2 is the first 10 MEG game on the SNES. Games boasting 10 megabits were even harder to find than ones with 12.
In the same month Capcom blew our minds when they released the first ever 20 MEG game, Street Fighter II Turbo. What a time to be alive. Can’t believe it’s been 25 years. Happy 25th anniversary to Final Fight 2 and the SNES port of Street Fighter II Turbo!
The Super Nintendo is home to dozens and dozens of platformers. As with any genre, it comes with a wide range of quality. Some are well known and excellent (Donkey Kong Country, Super Mario World) while others are a bit more obscure and not too shabby in their own right (Dino City, Harley’s Humongous Adventure, Hook). Then there are downright awful ones that are better off forgotten about. It was merely a sign of the times. Speaking of which, the early-mid ’90s became the age of the me too mascot platformer. Sonic the Hedgehog created a massive stir when it became a mega smash hit for Sega in 1991 and had countless companies clamoring to throw their name in the hat with their own mascot platformer. Animals with attitude were the order of the day and Irem was no different when they released Rocky Rodent. The question is, does Rocky Rodent make the grade? Let’s find out.
25 YEARS OF… NITRO PUNKS?!
Exactly 25 years ago today, Nitro Punks: Might Heads (what a title) hit the Japanese market. July 30, 1993-July 30, 2018. Yet another game from my youth turns 25 — gawd damn I’m getting old. Nitro Punks was renamed Rocky Rodent and was released in North America during the fall of ’93. I remember seeing Rocky Rodent in various game rental stores throughout my area in late ’93. I never got to rent it but I always wanted to. Alas, you know how older brothers often get their way, and sadly for me, Rocky Rodent never piqued my brother’s renting interest. The box of Rocky Rodent would come to haunt me as its titular rodent would seemingly sneer at me at every turn. In my own mind I envisioned Rocky Rodent being a pretty fun and competent platformer. It became one of many SNES childhood curiosities I would finally quell following my SNES resurrection in early 2006. Sometimes, your gut was right all along. Other times, not so much. Which one you gonna be, Rocky?
HAIR TODAY, GONE TOMORROW
Various spray cans litter the stages waiting to be picked up. Each hairdo not only grants Rocky certain abilities but an extra life as well (Rocky dies if he’s hit when bald). It’s a pretty cool gimmick although you can still hop and bop to your heart’s content. But the zany hairdos definitely steal the show.
The Braid allows Rocky to swing as well. The Mohawk leaves Rocky vulnerable when tossed. Technically, you are bald when chucking it, so be aware of that.
Use the Spring to reach new heights. The Bird Nest Wig unleashes Picky, a bird who acts as a computer controlled helper (similar to the option helpers from Gradius III). Each hairdo has its own pros and cons. They add to the game’s quirky atmosphere.
THE STORY GOES…
Rocky, a dine and dash artist with an insatiable appetite, finds himself in a… ahem… hairy situation. Apparently Rocky has gone and done it again, trying to cheat yet another restaurant.
Fortunately for our anti-hero, Rocky runs into the Rose Restaurant owner whose only daughter Melody has been kidnapped by Mafia member, Don Garcia. He makes an offer Rocky can’t refuse — save Melody and it’s all you can eat on the house. It’s a very nonsensical plot but there’s sort of a cheesy charm to it all.
DOWNTOWN
Remember Sparkster from Rocket Knight Adventures (and er, Sparkster)? The very first enemy you encounter in Rocky Rodent, an armored armadillo, looks awfully similar to Sparkster. Just a random coincidence though, as Rocket Knight Adventures came out on the Sega Genesis almost exactly one week later (August 5, 1993).
Spruce up your style with a brand new hairdo. Not only will you look cooler, but it’s vital to staying alive longer. Not to mention all the cool new tricks you’ll be able to do with a new ‘do.
Rocky’s cling and fling technique with this first hairdo is sure to impress the ladies.
Impale enemies with your spiky hair and toss them back to take out an entire row. Works just like the Koopa shells from the Mario games. Use the water sprout for a much needed lift.
Speaking of lifts, bounce off the café awnings to reach the rooftop where Rocky will be greeted by all his favorite yummy treats. I like how he slides on the roof. It’s the little details!
Similar to Sonic, Rocky is a fast little sucker. However, be careful about when to exercise said speed. Here, it’s required. But most elsewhere, speed kills.
SUNSET FREEWAY
Platformer rule #72: There must be some kind of auto scrolling stage. Bingo, you’re looking at it. Race down this freeway and avoid the various hazards. I like how you can see the sun gradually setting over the horizon.
Hightail it, Rocky! Chuck E. Cheese’s reject sighting!
Gorgeous… but deadly. Oh so deadly.
Bizarre doesn’t begin to describe this game. Mutant rats driving a ’70s Volkswagen while a Mob boss attempts to mow you down with a Tommy gun? Yeah…
GHOST APARTMENT
Mohawk acts like a boomerang. Sick.
Mohawk also allows Rocky to cling and fling.
Makeshift boost as well! Nice.
Whoever owns this apartment is going to curse Rocky for all the property damage he’s causing.
Platformers sometimes need a way to impede certain routes at least for the time being. These funky door blockers earn Irem bonus points for creativity. Best of all, when you eventually do reach the other side, you can ram Rocky’s spiky hairdo up their you know what! Hey, it’s the little things. Also, hit those markers to save your spot should when you die (this game is freaking hard).
Falling chandeliers and going down random tubes are the order of the day.
Crumbling blocks lead us to… Slimer and friends?!
Apartment with a random teeter totter and anvil? Alright then. It sends Rocky sky high.
Admire and enjoy that cool night air, because it’s going to be hot once you get back in.
Poltergeist shit starts to go down. Hey, this place isn’t called Ghost Apartment for nothing.
Random furniture and crap start coming Rocky’s way fast. Be quick!
Haunting the apartment is the ghost of Mr. Potato Head. He seems tricky at first but he actually has a very easy pattern.
RANDOM ROCKY
Man, they’re really taking this “Mascot with Attitude” thing seriously, aren’t they?
Yeah, that’s not creepy at all…
Rocky Rodent has its fair share of sight gags. They don’t cause any harm to Rocky; they’re just there to make you smile.
I kinda miss the days when mascot platformers had all these wacky sight gags. It was sort of a sign of the times. It felt like everyone and their brothers were doing it. Endearing when done right!
Here is the controversial scene Nintendo didn’t want you to see!
Just wait ’til Rocky puts the moves on her.
How Irem managed to slip this past Nintendo remains a mystery to this very day.
Rocky Rodent wasn’t their only SNES game mired in controversy.
Irem CEO: Hey! Why the dirt on our good name, sir? What wrongs have we EVER done?
[I’ll handle this… -Ed.]
Irem CEO: *sweating* … oh right, THAT. Um, look over there! Quickly Smithers, TO THE BASEMENT!
[At long last, sir! -Smithers]
See the trouble you’ve caused now?
[*snickers* -Ed.]
Back to Rocky Rodent, then…
The ad typified the times we were living in, back in good old 1993. I remember sort of drooling over the ad thinking that Rocky Rodent was a great name for a mascot platformer, Rocky was cool and that the game would probably be pretty good. It somehow reminded me of the spirit of NES games from the early ’90s, and I mean that in the best possible way. Just made me think of lesser known obscure NES platformers like Totally Rad and Werewolf for some reason…
ROCK HARD
I remember seeing this as a kid back in 1994 and thinking “Damn, Rocky Rodent must be super hard.” And it sort of is, especially once you get to the second half of the game. Starts out easy enough, but absolutely wrecks you later on. EGM wasn’t kidding!
Yeah, get ready to see plenty of that.
Thankfully there is a cheat code for infinite continues but EVEN THAT is hard to do! Press start at the title screen and Rocky begins his mad dash. Press Y, A, R, A, B, A before he reaches the end. I can’t consistently pull it off because that bloody Rocky is quite the runner, the bastard.
The later levels are so hard that your heart will feel like that playing it. Oh and I would be remiss if I didn’t mention Rocky Rodent has the coolest (and grossest) 1-UP icon in the business.
WHAT THE CRITICS SAID
Rocky Rodent fared well with the critics, at least the ones here in North America anyhow. They thought that it was a very solid and even surprising semi-hit of sorts. They also voiced their desire for a 16-MEG sequel in 1994. Of course, it was never meant to be as this is Rocky’s one and only showing. EGM gave it scores of 7, 7, 8and 8. GameFan gave it ratings of 79, 82, 85 and 86%. Super Play, on the other hand, was not impressed. No shocker there as they were notorious for being harsh on “me too” platformers and beat ‘em ups in particular. Super Play rated Rocky Rodent a paltry 50%.
CLOSING THOUGHTS
Mascot platformers were a dime a dozen back in 1993. Sonic the Hedgehog more or less kickstarted that whole “me too” movement that would inevitably flood the gaming market (a much different and not so serious me too movement from the one we’ve seen in recent times). You had to be special to stand out in a crowded genre. You had to be different. Distinguished. Some, like Rocket Knight Adventures and Plok, managed to rise above the ranks and captured the hearts of many. But too many others failed to make an impression and quickly faded away into obscurity. Rocky Rodent, for me at least, lies somewhere in the middle. Though sadly, its fate is still that of one that has vanished into the ether.
Rocky Rodent got lost in a crowd of countless me too platformers that overflowed the Super Nintendo in the early-mid ’90s. It’s not a shabby platformer at all. The different hairstyles add some strategy and depth to the game. The game looks relatively good for its time and the music was actually pretty catchy and a tier or two above most games of this ilk. I found myself bobbing along with the soundtrack at points. The music in the Ghost Apartment was far creepier and more sinister sounding than I expected in a “kiddy game” such as this.
Even though Rocky Rodent is fairly paint by the numbers, the dressing is slightly different enough to make the game feel like Irem actually put in a good effort. And that effort certainly shows at times. The different hairstyles are fun to to use and the stages are designed around the abilities of said styles. Sure, Rocky Rodent might come off as a bit generic at times but I think it’s got some soul to it as well. Irem injected a good dose of humor and personality into the game. Look no further than the various sight gags or that random shower scene in the apartment. So wonderfully odd and memorable! On the downside, the control is not as crisp as I would like. The insane difficulty, combined with a lack of password system, definitely brings down the game a bit. But hey, there are far worse platformers you could play on the system. *cough* Bubsy *cough*
Interestingly enough, the game has a bit of a 1940s look to it. Just take a gander at some of those old vehicles and buildings! In addition, it admirably refrains from regurgitating the same old tired themes such as wood, fire and ice-based stages. It somehow manages to come off smelling like a slight breath of fresh air despite being standard platforming 101. It’s by no means an all time classic but if you’re in the mood for a simple yet challenging platformer, this may suffice (and in some cases, even satisfy). As such, Rocky Rodent is a worthy addition for anyone looking to expand their Super Nintendo library beyond the usual suspects.
It took 11 ½ years but it’s finally here: my very first Sega Genesis review on RVGFanatic. Now as readers know, I love the Super Nintendo and my site is mostly dedicated to the almighty SNES. But I also love(d) the Genesis. I grew up with one and it gave me many fond memories. I’ve been meaning to reminisce about certain Genesis games ever since the inception of RVGFanatic back in 2007, but it just never happened for one reason or another. Until now. Inspiration struck when earlier today my pre-ordered copy of Sonic Mania Plus arrived in the mail. It brought back a wave of nostalgia. I can’t think of a better time to look back on Sonic the Hedgehog than right here, right now.
SONIC MANIA
Sega’s lovable mascot made a huge splash when it landed in the summer of 1991 and made the Sega Genesis system an absolute MUST BUY. Sonic was Sega’s answer to Nintendo’s Mario and kickstarted the whole “mascot with a ‘tude” era of the early-mid 1990s. Sonic would become a pop culture icon and his various games over the years have left an indelible mark in the minds and hearts of many. I still vividly remember my uncle buying a Genesis along with Sonic the Hedgehog for me and my brother in the summer of ’91. Our friends were proud Genesis owners in 1989 and 1990 so we got to play the system plenty, but it wasn’t until we saw Sonic the Hedgehog that we knew it was time to make the jump. You can ask any gamer from that generation and they too would have a Sonic the Hedgehog story to tell you. It’s one of those rare special games that everyone sort of remembers where they were the first time they saw it.
A STROLL DOWN MEMORY LANE
Who could ever forget the classic first stage of the first game? Green Hill Zone was the perfect introductory stage with its lush greenery and ridiculously catchy music. The theme conveys a sense of adventure, energy and heroism all at once. The music in this game is amazing and just hearing a second of it instantly transports me back to the summer of 1991 playing Sonic the Hedgehog in my living room with my brother and our friends.
BLAST PROCESSING, BABY! Sega’s infamous pitch to sell the game might have been hyperbole, but Sonic was certainly quite the speedster. The rings serve as your health. Whenever Sonic is hit, his rings go flying. When he’s hit with 0 rings, it’s Game Over. I remember thinking it was a pretty cool and clever idea!
Bopping off one baddie and hitting another before you landed not only looked and felt great, but it multiplied your points too.
Power-ups such as temporary invincibility and the shield are part of Sonic lore. The sound effect of the shield enveloping Sonic is embedded in my mind still to this day. BONG!
Make sure to hit that lollipop marker (as us kids liked to call it once upon a time). And watch out for those rotating thorns!
Ah, the classic loop the loop. I can’t think of Sonic without thinking about them. The two go hand in hand like Godzilla and Japan!
Mario has Bowser. The aforementioned Godzilla has King Ghidorah. Sonic has Dr. Robotnik. Always fun beating his fat ass
True story: when I was a kid I thought Marble Zone was sort of a homage to the first stage of Altered Beast (the game that launched with the Genesis back in the late ’80s). Ah, the innocence of being 8 years old!
Love the way the fire trails you and love the sound it makes. Just classic stuff from Sega.
Remember bypassing each one of these one at a time and waiting patiently for those Zordon glass containers to lift? You know you do.
I love the sound the chain makes when it ascends.
Marble Zone Act 2 brings the lava action. The visual of the rising lava is SEARED in my brain, pardon the pun.
Spring Yard Zone is another memorable level. Who could ever forget bouncing Sonic off the bumper balls like a pinball?
Battle Dr. Robotnik at the end of each world, with his gimmick shifting for each fight. I remember thinking as a kid how dope that was. It gave me a sense that I was really beating him at every turn rather than what most platformers do instead (i.e. the big bad sending his cronies to deal with you in the levels prior to the final showdown). Obviously Sonic the Hedgehog drew some influences from the Mario games but it’s also obvious that Sega threw their own spin on it (pun intended, not intended) and made it their own.
Alright, raise your hand if Labyrinth Zone terrorized you as a kid. Looking back, it’s really not that hard a stage but I guess at the time it was my youthful inexperience and anxiety that got the worst of me. It’s because of this and the water dam level from NES Teenage Mutant Ninja Turtles that made me weary of playing any stages featuring water.
Wait for the big bubble to give Sonic a respite. This used to induce mini panic attacks on me when I was 8! Especially when that damn frenetic music would kick in with the 5 second countdown to alert you that poor Sonic is on the verge of drowning!
It’s OK, buddy. There’s a Groupon on group therapy we can redeem.
On my very short list of disappointments with this game, Star Light Zone is definitely one of them. Based on the name of the stage, my 8 year old self imagined a grandiose world littered by hundreds of multi-colored and different sized stars (including exaggeratedly enormous ones). Sadly the actual stars are just normal, rendering the overall effect forgettable. The world is not a fraction as colorful as I expected a “Star Light Zone” to be. Although Star Light Zone features some pretty cool ideas such as the fans and teeter totters, it felt like Sonic Team dropped the proverbial ball as it relates to appearance and atmosphere.
In fact, my mind often switches Spring Yard Zone and Star Light Zone, as a sign of my inner desire for Star Light Zone to be brighter and bigger than what it is.
The oddly titled (and looking) Scrap Brain Zone doesn’t mess around. Industrial in its look and design, it features the game’s trickiest platforming and even includes some underwater sections to navigate through.
Personally, I didn’t care too much for the aesthetics of Scrap Brain Zone. It’s not one of those memorable final worlds that spring to mind when I think of such things. It’s rather mechanical (in spirit), which granted makes a ton of sense because it is Dr. Robotnik’s lair, but still. It feels a little too lifeless and definitely ranks toward the bottom of my least favorite zones in this game, along with the aforementioned disappointing Star Light Zone.
Thankfully, the final fight with Dr. Robotnik is highly memorable and something that has stuck with me throughout the ages. It’s simply classic and fun to play. After a small speed bump, Sonic the Hedgehog definitely ends on a high note.
BONUS ROUND
If you beat a stage with 50 or more rings and manage to jump into the big golden ring at level’s end, then you’ll be transported here. It’s a crazy dream-like psychedelic experience. Do your best to avoid the red dots of death and make your way to the middle to claim your Chaos Emerald. This bonus round blew our minds back in 1991. It was at once soothing and chaotic — the perfect balance.
SONIC MEMORIES
Back in the day my family was friends with four other families. Our parents were best friends with the other parents and the kids, ranging from birth dates of 1978-1986, were much the same. Together, we were a force to be reckoned with. Our epic sleepovers during the late ’80s to mid ’90s is the stuff legends are made of, filled with countless coming-of-age adventures and of course, video games galore. I remember many of those happy Saturday nights fondly, but there was one innocent Saturday night in the summer of ’91 that stood out in particular. We booted up Sonic the Hedgehog and Tommy had the controller. Randomly, he pressed Up, Down, Left, Right, A + START at the title menu. Next thing we knew, a level select cheat menu popped up!
You have to understand something. This was 1991. Way before the internet, way before YouTube, way before GameFAQs. You couldn’t just go online to Google cheat codes, oh no. You either found out by reading the cheat section in a gaming magazine or discovering it yourself through sheer dumb luck. For Tommy, it was the latter. Or at least, that’s what he told us. At any rate, cracking the code back then was bigger than big. Unlocking a video game secret is a moment that instantly becomes etched in the annals of time. Tommy from that point on forever adopted a near mythical aura within our gaming group. It’s one of my favorite game memories because it encapsulates the innocence of the early ’90s and also what made our Gaming Crew so damn special and magical.
My other favorite Sonic the Hedgehog memory involves my Uncle Jimmy. He lived with us as we were growing up. My brother and I absolutely adored him. Whether he was weaving spooky ghost stories on a warm summer night, or whether he was playing Contra and other NES classics with us, Uncle Jimmy was an important part of my childhood. He was also the one who bought us a Sega Genesis in 1991 along with Sonic the Hedgehog.
Sadly, by ’91 Uncle Jimmy by and large lost interest in playing video games. However, I’ll never forget coming home from school one day and upon opening my door hearing that classic Sonic the Hedgehog music. I had just started 3rd grade so it was probably September. My brother wasn’t home yet and my mom sure as hell wasn’t playing Sonic… so who was? I turned the corner after taking off my shoes and sure enough, there he was sitting on the couch grinning like a boy who had just seen Santa. I’ll never forget that image. He was on the lava stage, Sonic was teetering on the block and Uncle Jimmy was swaying along with Sonic before he caught me watching him. He gave me a thumbs up and it became a moment frozen in time. It was also the last time I can recall Uncle Jimmy playing a video game. It was Uncle Jimmy’s last hurrah.
CLOSING THOUGHTS
Sonic the Hedgehog may not be the best game in the series but it introduced the world to an iconic character who transcended video gaming itself. It laid the foundation for what was to come. It also spawned countless similar platformers starring animals with attitude. Some examples include Awesome Possum, Bubsy and Rocky Rodent. It was a sign of the times, for sure. But no one ever did it better than Sonic. Sorry, Crash! Sonic the Hedgehog is a personal favorite of mine. Some of the sequels may well be better, but similar to Donkey Kong Country, the original will forever hold a special place in my gaming heart. With today seeing the release of Sonic Mania Plus, and with a movie set to launch on November 15, 2019 (with Jim Carrey playing Dr. Robotnik), Sonic is alive and well. He has stood the test of time whereas many other attempted mascots have miserably failed. It’s nice to pause and look back on where it all started. Sonic the Hedgehog, I salute thee. Thanks for all the memories.
With the boom of the 3D era in 1996, some of our old favorite genres took a backseat to this changing of the guard. Or in some cases, they became an endangered species. One of those was the beat ‘em up genre. From the glorious late ’80s to early-mid ’90s, beat ‘em ups ruled the arcade (and home console) scene. From classics such as Final Fight, Double Dragon, Golden Axe and Streets of Rage just to name a few, they were a staple of many childhoods. But they went by the wayside when 3D gaming ushered in the next generation. Enter Sega’s Die Hard Arcade. It was a 3D interpretation of the classic beat ‘em ups of yore. A Saturn port was released a year later in March of 1997. It’s not the best game in the world but damn if it isn’t wacky fun.
30 YEARS OF KICKING TERRORIST ASS
Today (July 15, 2018) marks the 30 year anniversary of Die Hard. Released in theaters on July 15, 1988, Die Hard carved its way into our hearts and memories. The film followed the exploits of one, John McClane. A one man wrecking crew, he attempts to save his separated wife and countless hostages from the vile clutches of some East German terrorists. Taking place over the course of one wild night (Christmas Eve) and one highly memorable location (the fictionally named Nakatomi Plaza), Die Hard was an action movie for the ages. It launched Bruce Willis into superstardom and had one critic call it “a perfect action movie in every detail, the kind of movie that makes your summer memorable.”
The film worked on so many levels. One of its biggest reasons was the pinpoint portrayal of villainous mastermind, Hans Gruber (arguably one of the best movie villains of all time, right up there with the likes of Darth Vader himself). Played by Alan Rickman, Hans Gruber was masterfully memorable for his accent and wicked ways.
Die Hard was filmed at Fox Plaza in Los Angeles. Completed in 1987, Fox Plaza is 35 stories tall (493 feet) and served as the film’s memorable backdrop. Made on a budget of 28 million, Die Hard went on to gross that number five times over for a whopping 128.1 million. There are currently five Die Hard films with a sixth one on the way. Willis will reprise the role of McClane but a younger version is being cast for the earlier portions of the film which will depict McClane as a rookie cop in the ’70s. Happy 30 years, Die Hard!
My girlfriend and I caught Skyscraper in theaters last night. I’m a big Rock fan but this one just didn’t do it for me. Maybe I was subconsciously comparing it too much to Die Hard, but it had none of the charm and memorable characters.
ARCADE ORIGINS
Die Hard Arcade was conceived by AM1’s Makoto Uchida. Uchida worked on numerous well known Sega titles such as Altered Beast and Golden Axe. A big fan of the original Die Hard film, Uchida had the idea of creating a 3D beat ‘em up with Die Hard as his main inspiration.
THE STORY GOES…
Wolf Hongo and his cronies have invaded a skyscraper in Los Angeles. They want the vast riches in the vault and have also kidnapped the president’s daughter. It’s up to you (and your partner) to stop Wolf.
Die Hard Arcade doesn’t take itself seriously as seen here. The president’s daughter manages to elude the bad guys at some point and they cannot find her despite her being right under their nose.
DEEP SCAN CAMEO
Deep Scan is a 1979 arcade game from Sega. Play it to earn extra continues.
“WELCOME TO THE PARTY, PAL!”
The action starts out hot and heavy on this little rooftop ledge.
Many weapons are in play, including brooms!
There’s also the ever reliable handgun.
The blocky graphics add to the charm of the game. It’s a little rough around the edges, literally, but that’s just all part of the charm.
Quick time events, if handled right, allow you to recover some lost health. If you fail however, you’ll need to clear that area of any bad guys that linger. You have to pay attention to which button they ask you to press, like a Simon Says. It’s pretty neat and was later used in Shenmue on the Dreamcast.
Next, make your way to this elevator lobby where you can beat up the bad guys with everything from a missile launcher to a grandfather clock! This game is ridiculous and I can’t help but love how insane it is.
The bum in the green hat actually falls into the blue dumpster during a cutscene prior to McClane arriving on the scene. As stated earlier, Die Hard Arcade doesn’t take itself seriously and has a ton of black humor.
Watch out for the water spray, which can juggle you for damage. It can also hurt the enemies. Pick up the fire axe and hack away. There are also exploding barrels that you can heave their way.
The next scene is unforgettable. One of the bad guys is relieving himself as you approach ready to maim. Stuff like this is what makes video games so great.
Yes, John McClane is suplexing a naked man in a diaper. Some descriptions defy logic.
Anti-tank rifles, clubs, guns and more can be used here. Or just kick their ass the good old fashioned way. Toilet paper rolls roll around. This section is by far my favorite part of the game and I wish it were longer.
Use robot arms lying around to send these bastards back to the trash heap.
“Come on, hand over the club. We all know how this ends.”
This big, beefy, masked mauler is one tough son of a gun. It’s a good thing you can shoot his ass and throw chairs at him, then. I love the whale swimming in the aquarium tank in the background.
THE SEQUEL: DYNAMITE COP
A sequel, Dynamite Deka 2 or Dynamite Cop in North America, came out in 1999. It was released in the arcade and on the Sega Dreamcast. It takes place on a boat and similar to the first game, has something of a cult following behind it.
DYNAMITE DEKA EX: ASIAN DYNAMITE
8 years later, a revised version of the second game was released in arcades in Japan only. It was an odd release to say the least. By then the beat ‘em up genre was even more obscure than it had been in the early 2000s. The game was never ported to home consoles nor did it ever officially leave Japan.
RE-RELEASE ON THE PLAYSTATION 2
In 2006, Dynamite Deka was re-released in Japan for the PlayStation 2 under the Sega Ages 2500 budget line. It featured revamped graphics.
BURNING 2020
Die Hard Arcade was even made into a manga by the name of Burning 2020.
It’s pretty incredible how Japan latches on to random entities and makes a “thing” out of them.
GAMETZ MEMORIES
GameTZ (or Game Trading Zone) was a website where gamers can share their wanted and available list of games. You can browse other users’ listings and message them to strike up trades. I joined on March 21, 2001 — I was still a few months away from graduating high school. It was a crazy fun time… it was like the Wild West of the internet back in those days. People were more willing to trade before the site became a shell of itself in the years to come. My third deal there was trading my copy of Resident Evil (PlayStation 1) and $6 for Virtua Cop 2 and Die Hard Arcade (Saturn). At that time, I had just gotten back into all things Sega Saturn and I vividly remember the day Virtua Cop 2 and Die Hard Arcade arrived in the mail. Later that night, my brother and I binged on both games and it was the best arcade experience at home I had had in the longest time. It sent me on a tailspin of endless Saturn love as I would explore the system’s library further in-depth and uncover the most obscure of obscure games. Great memories!
There were truly some funky deals I made on GameTZ. Maybe a story for another day. But I can’t resist sharing a few right now. I once got Street Fighter Collection in exchange for Golden Axe: The Duel and an obscure Wolfgang Krauser collectible that I got in the mail circa 1994 via TAKARA. But perhaps my funniest trade was getting High Velocity (an obscure racing game for the Saturn) for my Predator 2 VHS copy. Ah, GameTZ, how I loved thee once upon a moon.
CLOSING THOUGHTS
Die Hard Arcade is a blast. It never takes itself too seriously, it’s violent as hell and it’s stupid fun with a friend by your side. My brother and I loved playing this game and although it’s short at around 20 minutes or so, we kept coming back to it over the years. It’s a true testament to how fun and over the top the game is. We didn’t care that the graphics were a little blocky or that the story wasn’t anything we hadn’t seen a thousand times before: a good beat ‘em up should be fun and Die Hard Arcade most certainly is.
There’s actually something charming about the blocky visuals. It was in the early days of 3D where polygons were mostly blocky. Developers were still finding their way with the new style of graphics; it was a sign of the times. But the best thing about this game is teaming up with a buddy to kick terrorist ass in the most amusing of ways. Whether you’re chucking a grandfather clock at the bad guys or beating them upside the head with a broom, Die Hard Arcade is a memorable foray into the realm of the 3D beat ‘em up. It’s campy, over the top and balls to the walls nutty. It’s not a perfect game, but for what it is, it’s perfect (if that makes sense). Now excuse me while I find my copy of this game and dust off the ol’ Saturn one more time…
I acquired Iron Commando (cartridge only) on October 11, 2006 for just $19.50. Today is lucky Friday the 13th, July 2018. And there’s a copy of this game complete in box going for $1,000 on eBay. Good God almighty. Holy crap am I glad I got back into the Super Nintendo when I did. I remember seeing screenshots of Iron Commando back in 2006 and thinking to myself, “This looks like it could be one of the real unheralded hidden gems of the SNES library.” Back in 2006, very few people were talking about Iron Commando. It was truly obscure then, whereas now it’s much more well known in the SNES community. I wrote a quick review of this game back in late 2006 and did my part to help spread the word. Unfortunately, I wasn’t too impressed with it. 12 years later and I still feel the same way. It’s a great looking game that had tons of potential but the end product just doesn’t execute like I had hoped. Hey, you win some, you lose some. I’m just glad my curiosity was cured in 2006 and for less than $20 too.
WHERE’S MY TOKEN FEMALE?
There are only two characters to pick from: Jack or Chang Li (no relation to Chun-Li). Most beat ‘em ups from the era had at least three choices. Sure, the token female is overly done but there’s a reason for it: to offer variety and more options. So right away we’re off to a less than ideal start but I disregarded my initial disappointment about the lack of a third hero. I just had a good feeling the gameplay was going to make up for it. Boy, was I off. On the bright side, two players can play simultaneously.
THE CITY
The first level opens up with a gnarly quote. It’s cheesy as hell but I loved it. Quotes occasionally appear at the bottom throughout this first level. It lends a B-Movie feel to the game but only appears in this stage, for better or worse. Iron Commando offers a myriad of weapons: 9mm pistols, rifles, machine guns, knives, baseball bats — I’m shocked there wasn’t a chainsaw as well!
Game looks badass, no? It looks like a lost treasure — how did this NOT make North America? But then you sadly realize that even the lowliest enemies take forever to kill, and weapons BARELY do any damage at all! It’s as if the game is unfinished or still in its testing phase. It shouldn’t take me an endless barrage of hits to beat a common thug with a baseball bat. That just renders the baseball bat useless. If the damage ratio was fixed, Iron Commando would be infinitely better.
This has to be a first in beat ‘em up history: the first boss being a truck.
THE ROAD
Welcome to the first of several auto scrolling stages. Two things are required for this stage to properly enjoy it…
1. Blasting Born to Be Wild by Steppenwolf
2. Constant maniacal laughter
Trust me on this one, especially #2.
THE FOREST
THE WAREHOUSE
Yeah, killing dogs (even if they’re rabid ones) with a baseball bat would never have cleared Nintendo of America. They would probably turn those canines into mutant rats. Wolfenstein 3D knows.
From the dingy dock to the interior of a creepy flickering warehouse you go. It’s a well done effect that you really didn’t see many SNES games utilizing. Notice the SLIVER of daylight in the bottom left hand corner there. Nice.
Didn’t Big Tom’s mom teach him not to play with knives in the dark? Tsk tsk.
This is a cool boss fight thanks to the light that flickers in and out. It takes me back to all those haunted house attractions I went to as a kid… and ahem, as an adult…
THE TEMPLE
Enemies often crowd you; Iron Commando suffers from cheap mandatory damage syndrome. It’s quite annoying and drags down the experience. It’s pretty cool that sometimes there are four enemies on screen (most SNES beat ‘em ups keep it to three max at a time) but this actually works against Iron Commando since the enemies are really tough and hit you way too much. You almost have to play this game with a friend if you want to enjoy it.
Unmercifully cheap and annoying, you’ll hate snakes even more than the Medusa Heads in Castlevania. Yes, these slithering serpents are THAT bad.
Better kill him before the spiked wall impales you!
If the spiked wall or the boss doesn’t kill you, the spikes on the far right might!
THE BEACH
A fun little DID YOU KNOW fact: these guys were all extras for Michael Jackson’s epic music video BEAT IT.
THE MINE
Yet another auto scrolling section strikes. It’s definitely a “little” more violent than the minecart ride in Donkey Kong Country…
THE CAMP
Between the variety of violent weapons you can use and the cheesy quotes that pop up, Iron Commando might be the closest thing on the SNES to Capcom’s 1993 brawler, Cadillacs and Dinosaurs. It’s a shame though that Iron Commando is nowhere as good and that Capcom never gave us a home port of that title.
THE JEEP
THE ROBOT
You’ll not only have to worry about Mr. Roboto but regular enemies as well. Killing them will allow you to gain access to their weapons. But beware of the robot’s laser beams and giant frisky hands. This fight lasts forever on account of poor damage ratio. That’s a shame because it ruins the whole moment, which starts out really cool but whittles down your excitement as the fight drags on and on and on…
A SECOND LEASE ON LIFE
Iron Commando was released on February 10, 1995, in Japan in limited quantities. It is one of the harder to find Super Famicom games. Apparently, it was also leaked out in the European market. But in mid 2017, a company by the name of Piko Interactive re-released Arcade Zone’s brawler so that it might find a bigger audience.
Legend was Arcade Zone’s other SNES beat ‘em up, but that game saw an actual SNES release back in April of 1994. So why did Piko re-release a game that actually had an official North American release? Because of the Iron Commando tie-in, the re-release is also (naturally) much cheaper than what original copies of Legend run for today and why the hell not. I’m thankful I already own both games, though. If I didn’t, I might have gone the Piko route. Original copies fetch way too much these days.
It’s always nice to see anything SNES-related getting relaunched in some aspect. Even though I already own all the games I’ve ever wanted, it’s always nice to see my dear old friend in the headlines once again, even if it isn’t front page news.
CLOSING THOUGHTS
On the surface, Iron Commando looks the part. If you see it in still shots you can’t help but think to yourself, “Man this game looks good!” It also makes one hopeful that it will play just like the glorious beat ‘em ups of yore. Unfortunately, Iron Commando only looks the part. It fails to play the part as well, which is infinitely more important than looking the part. The pros are obvious. The sprites are huge and look great. The overall look and aesthetic of the game pulls you in — it looks just like an arcade brawler from 1993 that you would play with your pals right after scarfing down some piping hot pepperoni pizza. It’s visually very distinctive and the weapon choice is undeniably badass. No other beat ‘em up on the SNES has as many tools of destruction. From Louisville Sluggers to sawed off shotguns, Iron Commando is drowning in an ocean of violent solutions.
But here comes the ever so dreaded BUT part. Even on Easy, the game is insanely (and unnecessarily) difficult. You suffer countless unavoidable hits as enemies surround and flank you. It makes it really difficult to get into any sort of enjoyable flow when bad guys are bouncing you around like a pinball. The damage distribution is another glaring issue. Doing a 3-hit combo barely ticks their health. What gives? This dragged the whole experience down for me as punches and throws seem to have minimal impact. Initially, I thought to myself, “Ah don’t worry. The weapons will surely even up the odds.”Wrong. Weapon damage ratio isn’t much better. This is both ludicrous and inexcusable. If, however, you can look past these warts, Iron Commando can be a decent good time in brief bursts. With unique graphics and a B-Movie feel, the 2 player mode at least offers some thrills and spills. Still, one can’t help but feel this game massively misses the mark. What should have been an awesome beat ‘em up for the ages and a brawler lionized by a legion of fans is instead reduced to being, at best, an infamous case of “it’s not too bad, BUT…”
Capcom ported over two of their 1991 arcade beat ‘em ups, King of Dragons and Knights of the Round, to the Super Nintendo in the spring of 1994. A three year gap was an unusually long time for an arcade game to be ported back in those days, so both conversions were a pleasant surprise. Arcade translations typically came out a year (or two) later. Well, Capcom one upped themselves when they released yet another 1991 arcade brawler, Captain Commando, to the SNES in the late summer of 1995. Coming out a whopping four years later from its original arcade release, Captain Commando was an aging relic at a time where beat ‘em ups had lost a lot of their luster. Because it came out so late in the SNES’ lifespan, it never really got the attention it surely would have gotten had it came out three years prior in 1992. A bit of an ill-timed release, Capcom nevertheless forged ahead. And quite frankly, I’m glad they did. While it is a watered down version of the arcade original (as most 16-bit ports at the time were), Captain Commando is a reminder of the early ’90s when side scrolling brawlers ruled the scene. But I’m getting ahead of myself, let’s start back at the beginning…
CAPCOM’S “MASCOT”
Captain Commando (geddit?) served as sort of a mascot for Capcom. He made his debut in 1985 in the Ghosts ‘N Goblins manual.
Then he began thanking you for buying Capcom’s games. This comes from 1987’s Mega Man instruction manual.
He showed up once again the following year in the sequel, Mega Man 2, thanking you for your purchase and support of Capcom. As you can see, he has altered his look over the years. Gotta keep up with the times, eh?
Captain Commando disappeared from making instruction booklet cameos by the time 1990’s Mega Man 3 rolled around. Then in 1991, it happened. Captain Commando received his very own game. Final Fight was a huge success in 1989 so Capcom was hoping for more of the same magic with Captain Commando. Fast forward to 1995. At last, Capcom converted Captain Commando to the SNES. Sacrifices were made but we’ll get to that later. For me, it was just good to finally see the good Captain and his unusual friends beating up hoodlums in my living room.
THE STORY GOES…
Taking place in the far flung future of 2026 (which is currently only 8 years away), Scumocide and his cronies are looking to rule over Metro City. Fun fact: this is the same Metro City from Capcom’s first beat ‘em up, Final Fight.
THE COMMANDOS
Captain Commando can electrocute bad guys and set them on fire. Yeah, he’s pretty bad ass. Ginzu the Ninja capitalizes on the obsession with ninjas back in the late ’80s and early ’90s.
Captain Commando doesn’t feature your prototypical cast. Look no further than these two. Mack is a mummy-like alien that looks more like one of the goons rather than one of our heroes. Baby Head is a a super genius baby who fights riding on an advanced mech suit that he himself built. Now that says it all, does it not?
MISSION 1: THE CITY
Captain Commando features 9 stages. The first one takes place in the City. I love little details like being able to shatter the store windows.
Enemies come bounding out of the sewers similar to the Foot Soldiers from Teenage Mutant Ninja Turtles IV: Turtles In Time. Too bad you can’t fling the manhole covers back at them, though. On the bright side, unlike Turtles in Time, there’s no danger of falling through the manhole and losing precious life.
Rushing attacks are nice. I like how this first stage scrolls downward a bit. It’s a small touch that I appreciate, especially seeing as how most beat ‘em ups simply go from left to right with zero variation.
Hammer time! If you zoom in or squint, you can see a statue of Haggar there. As stated earlier, this is Metro City in the year 2026. The first boss is Dolg.
Cosplaying as a lost member of the Road Warriors (AKA Legion of Doom), Dolg is more bark than bite. When in a pinch, use Mack’s special spinning attack to clear the room.
MISSION 2: THE MUSEUM
Breaking the glass isn’t necessary — it’s mandatory. You’re then dropped into the bowels of this shady museum where you’ll run into savage neanderthals with names like Samson and Organo. I’m not ashamed to admit that the creepy lifeless family that stares at you in the background slightly gives me the heebie jeebies.
Barrels can be a lifesaver. Save the meat until your health is low. The oddly named boss here, Shtrom Jr., looks like a Radiation Ranger reject from Toxic Crusaders.
MISSION 3: THE NINJA HOUSE
Moving on to the Ninja House, you’re greeted by the heel wearing Mardia, a formidable female fighter who assuredly has never skipped leg day. Don’t forget to watch your back or else those knife throwing thugs will make you pay. A less muscular female attacks with stun rods. I like how this stage transitions from the city to a rural dojo.
Ninjas ruled the day back in the late ’80s and early ’90s. This game has them well represented. Not only can you BE a ninja but you’ll fight lots of ninjas, too. If the action gets too hot, try using the laser gun.
Musashi makes quite the entrance. Two questions: Is this Ronin 47 and where’s Keanu Reeves when you need him? Later on, more ninjas attempt to ambush you.
Crowded? Use your special move to make room. Watch out for their shurikens!
Luckily, this is just a (brilliant) fake out scene. You escape by the skin of your teeth without having to fight them.
However, going inside isn’t much better. Meet Yamato, a kabuki warrior wielding a halberd. He reminds me of Kyoshiro from Samurai Shodown fame, or should I say vice versa.
MISSION 4: CIRCUS CAMP
Ahhhh, the Circus. Where you can obtain fancy art and set folks on fire. Fun for the whole family!
Wookys (gotta love that name) are so fun to beat up. I’ve come to learn that any door brandishing the word DANGER on it is not playing…
Shatter the glass on your way to the boss whose name is “Monster.” Real creative there, Capcom…
Things got a little too hot for Mack so in comes the Cap! I love how he can set enemies on fire as well as electrocute them. Look at Dr. Tea Water getting all bent out of shape there.
MISSION 5: SEA PORT
Bailing so fast, Doc? This surfing bit adds some variety to the gameplay and helps to break up the monotony. Pick up a machine gun and let ‘er rip! Where do you think 1993’s Surf Ninjas got their inspiration from? Ah hell if I know.
Careful trying to jump kick those billboards. In this case, sometimes boards do hit back. But you know what — or who — doesn’t? Poor ol’ Dr. Tea Water that’s who!
MISSION 6: AQUARIUM
Electrocution vs. fire… who’s going to win? Fire, I see.
Wookys come out of the woodwork. Break the blocks there to reveal a gun. Shockingly, it does little damage but what great fun you’ll have shooting it.
Mysteriously named Z, he knows how to reach out and touch somebody. Unleash the Captain Corridor when you’re surrounded. Such a basic yet cool looking move.
Temporary invincibility is granted whenever you lose a life. I love the double and triple vision that this effect produces.
Somebody’s gonna get fired for attacking the wrong side! I love when games allow enemies to hurt their own kind on accident. It somehow makes the game feel a little more realistic. But best of all, it’s simply a hoot to see!
Remember Shtrom Jr.? Now meet his dad and his dad’s right hand man. Use Baby Head’s Knee Rocket to even up the odds.
MISSION 7: UNDERGROUND BASE
Beware of falling barrels. Give it your best Macho Man Randy Savage elbow drop impersonation. This is another level that scrolls downward. Nice.
Hitting a baby seems so wrong on every account, and that includes genius babies riding mech suits. But I suppose when a baby hits you in the face with a knee rocket, all bets are off (even though technically you should be dead).
Ginzu’s the name and slicing and dicing is his game!
Surrounded by two towering thugs? Hit them with the Smoke Bomb.
Originally named Blood, he’s been renamed Boots. Lame. Speaking of lame, the big brute blows up his desk to reveal a tunnel hatch where he attempts to escape. Fall down the rabbit hole and make him pay.
Captain Commando to the rescue!
MISSION 8: ENEMY SPACESHIP
Certainly will keep you on your toes. Hasty players may get zapped.
Assassin by day, hooker by night. They can even zap their fellow enemies!
“Thanks for the help, fat boys! Now my turn to give y’all a gift in return.”
Doppel replicates himself into all versions of the Commando team. You must beat all of them to defeat him.
MISSION 9: CALLISTO
Callisto, an enigmatic planet somewhere in the cosmos, is the site of the final battle. The first boss is back to exact revenge. Although it teases a possible boss rush, it thankfully isn’t. Check out the creepy (and probably wealthy) monsters in the background with babes hanging on every which side. It has a Mos Eisley Cantina vibe (from Star Wars fame). I almost expect Harrison Ford to come bounding in any second now as Han Solo!
Defeat Dolg and the hideous picture lifts, revealing Scumocide’s home base.
Heavier than a tank and taller than a mountain, Scumocide is a suitably intimidating final boss. Where’s The Hulk when you need him?
Whether he’s freezing your ass into a block of ice or incinerating your flesh, Scumocide doesn’t mess around.
Everyone has a weakness, even big badass warlords. Grab him, smash in his coconuts and finish him off with a piledriver that would make Haggar proud.
YOU’RE WELCOME, MARVEL
Scumocide defeated and world domination thwarted, Metro City celebrates its freedom and victory. When out of nowhere the good Cap appears on the screen to give the city a brief message. When asked who he is, he responds in dramatic fashion. It would have made Tony Stark himself blush. Hey where do you think Iron Man got its ending from?
ARCADE COMPARISON
As was the norm for arcade ports on the SNES, there’s an obvious drop in visual quality. But surprisingly, the sprites in the SNES port aren’t much smaller if at all. The colors aren’t as vibrant but the core basics are there. At least they are for the most part, anyhow.
One of the biggest differences is the toned down violence. Ginzu could slice enemies in half in the arcade version. Obviously, Nintendo was not going to allow that for the SNES port. It’s a bummer for sure but for me not a deal breaker.
Arguably the biggest omission however is the lack of robots to ride.
The other big sacrifice of course was going from 4 players in the arcade to only 2 players in the SNES port. But seeing as how there is no beat ‘em up on the SNES featuring 3 or 4 players co-op (I don’t count Peace Keepers since that was a special mode and doesn’t involve enemies), this shouldn’t shock anyone.
WHERE HAVE I SEEN THAT BEFORE?
Konami you sneaky bastards. Contra III: The Alien Wars (1992) is one of the best SNES action games ever made but damn if that intro doesn’t resemble Captain Commando (1991).
Shtrom Jr. and the Radiation Ranger (from Toxic Crusaders) bear more than a passing resemblance to one another.
Maybe it’s just me but the burning animation in Captain Commando reminds me of the burning scenes in Halloween II (1981). Especially the end where Michael Myers falls down on his knees before flopping face first.
LIFE AFTER
Fans of Captain Commando would have to wait until Marvel vs. Capcom (1998) to use the good Captain once again.
His next appearance came in Namco x Capcom (2005). However, he did not return in Marvel vs. Capcom 3 (2011) or its follow-up, Ultimate Marvel vs. Capcom 3. The next time we would see Captain Commando, or his costume anyhow, came in Street Fighter V as a costume unlock for Charlie Nash. The world awaits his next return. Or at least, me and four others, anyhow.
GRAPHIC NOVELS
You wouldn’t know it if you’ve only played the censored SNES version but the universe of Captain Commando is quite barbaric. The arcade original was gruesome especially for its time and that violence is reflected in the manga series.
WHAT THE CRITICS SAID
Captain Commando didn’t get much pub in the press because it came out fairly late in the Super Nintendo’s lifespan. That and I think because it was a port of an arcade game four years old, it never received the press it would have had it come out a few years prior. EGM, GameFan and Super Play didn’t review it. As for SNES players, it’s got something of a mixed reputation. Of course it’s been watered down in its arcade to home translation, but some still find it pretty fun. Others can’t overlook all the censorship. Whatever the case may be, copies of this game currently fetch triple figures online. Most SNES games now go for a pretty penny and this is certainly no exception.
CLOSING THOUGHTS
People can hate on this port all they want, but I love the fact that Capcom gave it to us, period. They didn’t have to. After four long years they had every right to make other games for the SNES — a system that was inching closer and closer to the end of its glorious run. And yet Capcom didn’t. It’s far from perfect and sure, I’m as bummed out as anyone that the gore was removed and especially the robots to ride. But at the end of the day, those are only small components to the game. The question is, does the game itself still play well? And my answer is a semi-resounding YES. I love a well made beat ‘em up and while this isn’tthe pinnacle, it’s still a pretty solid example of the genre.
Graphically, it’s far from Capcom’s best. The visuals even appear a bit drab in places. But I feel it fits the game; there’s sort of an appropriate bleakness to future Metro City where Scumocide and his cronies (attempt to) rule. The sound effects unfortunately are not up to par by Capcom standards. Punches and strikes don’t have that satisfying OOMPH to them. Enemies also sound weird and off when dispose of. But the most important aspect of any game is how well it plays and Capcom did a good job there. The game is easy to pick up and it’s enjoyable especially if you don’t obsess over what it’s missing from its arcade original.
You still get all four Commandos and I like this cast of misfits a lot more than I do many others. I mean, you got a mummy alien and a baby genius riding a mech suit that he himself built! It’s bonkers and I love that it doesn’t take itself too seriously. A post-apocalyptic Sci-Fi atmosphere runs rampant throughout. Sometimes the action and enemy clones in these type of games can get rather repetitive but for me that’s not the case here. The enemies are just so wonderfully bizarre, despite the obvious tropes. The stages aren’t overly long nor is the game overly hard. It doesn’t wear out its welcome and is something you can pop in for some quick mindless action. I still play it randomly once every few years and it always leaves me with a smile on my face.